Emmanuelle On Megavidea

WEEKEND IN LAGUNA

Controls on the Grand Canal, but the "party" is elsewhere

Di Ferragosto is also the "controllers" have thinned and the lagoon will have suffered terribly, being stormed by fleets of boats parading almost always very high speed. But, as usual, who ran more (and in this sense have been numerous reports) were the vessels for the transport people, for which the speed limit and still produce waves seem to be not even a problem of conscience or professional, since it controls across the Grand Canal is not talked about. And this is precisely the point: Why alert and police are still stationed in the Grand Canal when it is widely covered by the intelligent camera system called Argos? Sure, why the fine should be the immediate objection to be valid by a patrol, but because someone does not explain why it is so difficult to set out into the channel of the orphan or guard the waters of San Girolamo bag? The lagoon is too large for the forces in the field, agree, but it is already a big thing at least protect the perimeter of Venice, particularly the north side that is permanently open. It is because of this lack that make gasoline or diesel fuel without damaging the boat has become a firm to tell their friends. This lack of protection against the Port Authority turns to anger when at last you find that are almost exclusively the latter to be targeted by police checks. Taxis and spears type taxi (more and more) available to glassware and hotels are free to go in semiplanata producing deadly wave as high as one meter. Even public transportation escape this logic: those who go by boat it is perfectly account of what happens when passing a boat or a motorboat ACTV. I which is not true that they are equipped with special fairings designed to Venice. A previous study of the CNR, immediately put in a drawer, showed that the main source of wave motion in the Grand Canal were just public transport. Despite this, however, continue to produce the same boat for 50 years without the slightest reference to the use of hulls less impact, although esistono.Infine, boats from companies like Venice by Boat, the day of August without even sped slow in the presence of small boats at anchor or remi.Correre remains the imperative in this troubled lagoon, where they lack is a maritime culture widely believed that sanctions against those who violate the most elementary rules of navigation safety.

The Gazzettino di Venezia, Monday, August 17, 2009

How To Oilquantum Reels

Costanziaca Vicus is a project recovery, protection and enhancement of historical and archaeological heritage Costanziaca of an ancient submerged island in the lagoon north of Venice referred to survive two edges: the islands diSant'Ariano and care, now abandoned. The project brings together the synergies of different institutions, and above all of the Superintendence for Archaeological Heritage of the Veneto Nucleus Operating NAUSICAA and the University Ca 'Foscari, scientific officer. The initiative aims at the recovery, protection and enhancement of the former island of Costanziaca and its historical, natural and archaeological. Explore the area which stretches from Altino and Torcello is an opportunity to reconstruct the history of Venice before diVenezia, by the reconnaissance, the archaeological excavations and underwater surveys, the project will provide a new perspective on the origins of Venice and information on routes between inland and sea and on the process of settlement which developed along the trade routes that crossed the area lagunare.Il unique research environment requires also the supervision Centre of Natural City of Venice. During the work of the first year of research there has been a situazionedi absolute degradation in these terms was necessary in the organization in collaboration with the Environmental Department of the City of Venice and clothing, one day, identified in 5 June, cleaning of the two islands and sandbanks. This day is intended to be, first, a day of union of all the associations operating on the territory under the protection of the environment, culture and appreciation of traditions in order to preserve a heritage that is often forgotten. In the hope that this initiative will also see your cooperation will we send regards.

Davide Busato

historical research for the project Vicus Costanziaca

Eleven Days Late Period

THE ENVIRONMENTAL IMPACT OF THE SYSTEM MOSE

The European Commission is to close proceedings for the protection of the environment in the lagoon of Venice "reiterating the need to ensure a fair balance between the need to protect Venice, on the one hand, and to safeguard the ecological importance of the lagoon on the other" and "will continue to monitor the implementation of the package of measures announced by the Italian authorities ": what is today providing the Commission with respect to open proceedings against Italy for the realization of Moses, the system of dams against high water.

The Commission has announced that it intends to close the case "as a result of the measures that the Italian authorities have recently proposed to limit the extent of damage to ecosystems and to offset the impact of the works."

The Commission sent the Italian authorities for two letters of formal notice in December 2005 and July 2007, the environmental impact of the levee system furniture. "After lengthy exchanges with the Commission, the Italian authorities are now committed to implement a series of measures to contain the impact on protected areas and some of them have already been taken, "said the Commission today, recalling in particular the three measures: the suspension of certain works in certain periods of the year not unduly disturb the birds that inhabit the lagoon, and the scrutiny of the work by independent bodies and the creation of a website open to the public by providing information on work in progress and outcome of environmental monitoring, the designation of other areas in the lagoon as sites of Community Importance (SCI) protected under the Habitats Directive ".

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Danae: the sense of creative mental


To sense the alchemists creative soul has an innate gift. The women manifested in the form of eros psychic when stimulated, while at a higher level (the tower, a symbol of the development of brain stimulation) the creative sense when it becomes a mental experience is "fertilized" by the words, images and the content transmitted from the knowledge of human nature (the golden rain of Jupiter). The sense of creative mental

is excited by Cupid, which slowly takes away the veil and exposing the female metaphor for the mind open to suggestions raised by the intellectual and erotic images of art, from the mythological events, from plots of films and novels.

The mind does not like the rumination of women's intellectual philosophers and critics, but can be "fertilized" by the "rain" that comes from the creative minds who know how to combine intuition and reason, perception and knowledge, love and aesthetic sensibility. The meaning becomes active creative mind leafing through magazines, fashion and art, and stimulates the soul to appropriate the words, images and other contents of consciousness (three drops) that are most similar to the sensitivity of the soul.

Danae's story looks not just at 'idea that the Renaissance alchemists were made of the Immaculate Conception of Mary. In fact, the creative mental sense does not need to get in touch with the "physical body", but absorbs the contents of consciousness (called Lithos spermatikós) directly from the "light" reflected by the images (the multicolored wings of Gabriel), or through the superconscious inspiration (the white dove carries the golden rain Zeus).

Danae and the Virgin Mary are toghether because of conceiving "ideas and feelings cognitive" (the two cherubs at the foot of Danae sharpen a red arrow and a blue arrow) in a "pristine" and that in the absence of teachers or lovers . The mental sense creative inspiration directly from the perception of light and not by chance Corrreggio paints a large window where you can admire the immensity of the sky.

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The sense of aesthetic rapture


For Ortoli and Witkowski (the pool of Archimedes, 1998) "the sense of myth is to serve as a bridge between science and ordinary mortals (including scientists), between the incomprehensible and the everyday, the magical and normal . Examples show how the myths of small bath of Archimedes. Newton's apple, the formula of Kekule bemzene, etc. ....

The "return to origin", characteristic of mythical and religious thought, is initiated by an inadequacy of knowledge. The origin of the myth is, for the common man, the fact of not being able to understand, to feel excluded from the path of ideas, not having access to large scientific theories for lack of adequate preparation.

Who knows the reality does not need myths, but for those who inhibit the perception of blood, horror, death, suffering and does not develop the tragic sense of life, the myth takes on the role (as in the fairy tale by Hans and Gretel) to disseminate the "seeds" * that take us back home, until they are ready, on their own (and with both hemispheres of the brain), to address the perils, pitfalls and proposals "sugar" produced by the false knowledge the body of his unconscious impulses and his powers Overmind (the witch of the woods)

But do not wiped out the thought that emerges from the universe mythical religious, mystical and psychological demands, in turn, to explain the reality invisible feelings, dreams and art through "formulas, rituals, alchemical correspondences and suggestions mythical-magical" unverifiable and inconsistent.

A hypothetical science of perception ", represented in mythology by the eagle of Zeus, might explain all types of visible and invisible, while it is clear that the scholarly interpretation of myths (anthropology, sociology, psychology, psychotherapy, religious and theological) leaves faint traces over time.

The myth elaborated by the rational mind opens the doors to intuition than where it is regarded as the mystical foundation of discoveries and inventions. The interpretation of the mythical-magical reality instead allows access to a dimension of moral, ethical and spiritual common otherwise inaccessible to reason rationally anchored in what is measurable, tangible and verifiable by the scientific method. The sense of sacrifice and renunciation would have no meaning in a society where there was certainty of knowledge.

The Myth is the throne of Zeus, the undisputed ruler of Olympus. With Zeus there is never a certainty and steel firm over time, as the spiritual and cultural patterns of society continue to change, evolve and devolves through the 'ceaseless wheel of the cycle of life, death and rebirth, of creating the future, destruction and renewal of the symbols of the past that must be pulse of the age-old archetypes in human consciousness.

Zeus is the lord of the conscience that emerges from the female psyche. As an Eagle, the cognitive perception of reality, Zeus Pische helps to fill the bulb with the waters of the Styx, a metaphor for a first level of knowledge of the symbolic meaning which accompanies every psychic manifestation of the subconscious mind, unconscious and iperconscia, and kidnaps Ganinede to heaven, emblem of the "sense of the myth" that was the basis of "thought he sees.

"The thought that sees the" foundation "mystical" scientific intuition and the disintegration of "rationalization" intuition made mythic, religious, not "delight" most of the aesthetic, philosophical and edonostici that life can reserve the intellect that "vague" in search of reasons for living and dying.

"I do not think being a painter in the full sense of the word. If, when I was young, the painting was a great pleasure, at times I was not insensitive to a spontaneous feeling which surprised me, exactly, to know without hesitation reason for living and dying. And 'this feeling that led me to break free of purely aesthetic interest. For example, I happened to stop suddenly to paint to be surprised of being (the mystery), to have a pattern living in front of me (myth) and to hear that see 'life' had a much greater importance to devote to the pleasures of the art avant-garde. In 1925, tired of those pleasures, I thought it mattered little to find a new way of painting but for me it was rather of what needed to paint, to know why the mystery is put into question. "
Magritte.


etymology of the word myth.
"Clement of Alexandria reports that in the jargon-Orphic jeratico Mitos means" seed "seed"
so that every myth contains a grain or seed of truth, that once placed in the bottom of our hearts, would germinate the numinous consciousness "(John Washer). This definition agrees with the image of the seeds dispersed by Hans and Gretel during the first phase of expulsion (forced) from the parental home (the knowledge and morality of the group).
The seeds of the myth are then swallowed by the system of perception (in the story are eaten by birds) and then introjected within the automatic system of cognition (the cognitive self). And 'thanks to the nurturing of the myth that the meaning can emerge spontaneously delal truth essential to recognize the false prophets, gurus and masters generated by the bad conscience of Western (the witch), able to manipulate the individual and collective unconscious drives (the forest) with technical transformation of self "and deliberately sweetened soft" so that it can be the illusion of healing or change

Hard Disc Does Not Fit

The tragic sense of Meleager

Meleager killed the boar and uncles of Atalanta. The company, apparently devoid of heroism, but hides the complex dynamic built by the male and female libido. The company that developed the "mental sense of self", a synthesis of all mental activity aimed at improving the material living conditions (markets, trade, transactions, virtual money, planning, arrangements liberal capitalism or ends before ....) then suffer the wrath Diana.

The cult of profit and material wealth, the same celebrated Eneo, king of Calydon Etoli of record production that celebrates the harvest as a primary objective to which the eastern libido (force genetic designed to integrate opposites), is the source of human tragedy. The recent banking crisis, the victim aware of unscrupulous financial actors, and executioner of all the small investors, represents the archetype of the Boar, which ends up terrorizing and destroying the economic assets and individual consciences.

The wrath of Diana, the archetype of the process of evolution of the mental sense of self in cognitive perception of the dynamics that lead to the collapse of the "material and spiritual existence" of society, not only affects the community in a generic sense, but "embodied" in family dynamics as "fate announced" the death and destruction.

The Sidney Lumet, "Honor your father and mother," is the story of "Eneo and wild boar" to this day, within a family dynamic that is rarely found in the plots of violence affecting the lives of individuals. The archetype of Eneo is "embodied" in the figure of a man who for love of money and labor (the pope would say "for the sake of Mammon") neglects his two sons, deprives them of care and nourishment of the words that represent the 'only means of transmission of the moral conscience is essential for the psychological development of the individual.

The plot presents "Eneo" on the verge of retirement. And 'rich, has a jewelry store and shares his "luck" with his wife. She has two children, very different. The youngest is fragile, insecure, emotional, completely unable to contain the anxiety, fear and the instinct of flight adrenaline (the female right hemisphere), the other hand, is rational, cold, mental, analytical ( is also an accountant) and pursues his goals with clarity without any moral scruples or ethics (the left hemisphere male).

"Eneo" do not know that he cloned himself, his libido, in the 'soul of the eldest son, although, in the form subconscious hope that the child becomes better and better than him. "Eneo" does not realize that the anger of Diana was materialized in genetrico and that the "Boar" living within body and psyche of the eldest son (left hemisphere), and be ready to explode in all its wild libido.

Reading the "plot" is understood that the tragedy has only one protagonist: the libido. The male libido (the boar) causes death, evil deeds, violence, fraud, deceit, speculation, immorality, recklessness, madness. Female libido (the uncles of Atalanta) is more subtle, almost invisible, but no less cruel and hungry for "good life, comfort, pleasure, hedonism, lust, and therefore capable of betraying and" turning away "at the moment appropriate.

Wild Boar sow terror. The intelligence aimed at achieving the objectives produces the action immoral and without conscience report. There is only one remedy. Kill the boar, as soon as possible. His wife's death caused by human folly (the robber) induced by psychological impulses in the brain (youngest son) inspired by Libido (eldest son), produces a rapid change in the Father (consciousness). The desire to know the killer leads him to rediscover the "functions" of evolutionary Diana (cognitive perception)

Diana, the perception of the truth aimed at knowledge and resumed his place in the "conscious relationship" (Meleager the filius Mercury) and Eneo, rediscovering the will to eradicate the root evil, becomes Meleager and chases as the eldest son to choke him with his hands. The tragedy has come to an end.

The libido can be defeated only by death. Can be trained, educated and conveyed to high purpose, but will always be the "original sin" to be purified with the rite of Baptism. That's what the rituals and initiations to the art of Aphrodite. But we have forgotten.

Champion Silversmiths Silverware

The boar

The male-female pair is the central pillar of the imaginary philosophical alchemy. Shiva and Shakti, Yin and Yang, Adam and Eve, they identify pairs of "energy" are not antagonistic in nature, but become so in the physical body, as well as the reality of phenomena, when the Libido, represented by the figure in Greek mythology the boar, it bursts into the clearing of the "brain", or the stage of consciousness.

Alchemy Renaissance offers a reading of "vertical" of Libido understood as 'genetic force' that drives man to seek life meaning and direction to their actions, they are designed to satisfy a hunger or quench your primary thirst for knowledge. Libido is the sulfur that the alchemist introduces nell'ambicco to provoke a reaction in the field, is the fire that heats the bulb at the base dell'Athanor inside that contains the raw Mercury (black bile) can be transformed into fluid (phlegm ), Elixir (CSF) and finally Stone of the Philosophers (cerebrospinal fluid, which is concentrated in the meninges and becomes a ferrous substance).

Adam and Eve, Venus and Mars, Apollo and Diana, The King and Queen, the Sun and the Moon Art Alchemists, unlike chemicals, describing stages of evolution of the libido and psychic drive (Adam and Eve ) in perception and action (Mars and Venus), logic and intuition (Apollo and Diana), consciousness and awareness (The King and Queen) until the final stage in which the "Philosopher's Stone", rich in iron and high-quality electromagnetic (our Magnet) will not be sensitive to the cycle of the moon relative to the sun.

It 'obvious that the implementation of the Philosopher's Stone represents the final stage won dall'appassionato of "Art and Sex", and instead identifies the first developmental stage of the neophyte who is now undergoing a daily basis to solve the problem "geometric" processing dela libido in love, creativity, consciousness and self-knowledge (squaring the circle in which there is the psychological drive)

A famous motto of the Rosarium says. "Make a circle (psyche) of a man and a woman (the sexual polarity) ricavane a square (the constants in diversity) and a square triangle (summary of three basic elements, body, soul and spirit); make a circle (summary of the conjunction of opposites is equivalent to Se) and get the philosophers' stone. "

The transformation of libido is through the containment of psychic drive array female (Eva), which is in fact the arteficie with all joy and damnation. When the psychic drive (the nymph Atalanta), for his nature to fast track any form of desire inspired by the libido (Atalanta chases and hits first wild boar) is educated, trained and channeled (the three apples of Aphrodite) towards social purposes and useful for the community (the harvest of wheat), then the individual (Eneo) reaches a stage of awareness where the emerging sense of self mental (couple's son Apollo and Diana) can direct the libido to good and righteous purposes.

Eneo The Greek legend tells that, after a year particularly fruitful for the harvest, he bestowed honors and sacrifices to all the gods but forgetting to Diana. The forgotten, the metaphor of a subconscious desire to stop the alchemical process of transformation of Sulphur, obviously triggered the ire of the Goddess who, in revenge, it sends a terrible wild-eyed fire to ravage the countryside in disntorni of Calydon, the city of Etoli .

Meleager, son of Eneo, the emblem of Mercury (Mercurius filius), which however is distilled during channeling delal libido in social activities, then decides to Afront the fierce animal by organizing an expedition with the most valiant heroes, the metaphor of a precise knowledge of the "power of the libido" to destroy the good that has been sown by the alchemists of matter (the heroes).

Meleager is not alone. At his side's Atalanta who falls for him, because he sees the possibility of an alchemical contenimrnto of the drive to act directly on the libido through a "forced" psychic inhibition dela evolutionary force. Atalanta detect for the first beast, demonstrating that the perception of women reveals the presence of "monsters", but not strong enough to kill him (as happens when women are raped in the street).

Ovid says that Meleager throws away from a first lance (intuitive perception) but that sticks in the ground, while the second (cognitive perception) reaches the animal wounded to death. In the scene painted by Brascassat (1825), we see Atalanta defending itself with a knife pierces the boar and Meleager aided by dogs, a symbol of the instinct that evolved from the instinct to expand instinctive sensory perception sensory perception in cognition.

Libido, as well as the alchemical sulfur, requires time-consuming process of purification before being removed from the field. Its main characteristic is the "imitation" and "transformed" to which is easily hidden behind smiles and good manners. The "chemical castration" is temporary of course if the individual (male or female) evolves in the alchemy of "power" women (self-love, sense of self) represented in the mythological story as "maternal uncle" of Atalanta.

After killing the boar, Meleager gives the trophy to Atalanta, but his uncles claiming he superbly held by the metaphor of the presence of subtle and often perverse libido of women in all human history in which we should share the honors and merits, real estate and securities, paternal inheritance and fortune.

Meleager then pulls out his sword and will "delete" without a moment's hesitation, even if it tries to Atalanta trattenrlo with an affectionate gesture of the hand, often as women do to justify lustful behavior of relatives.

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Consciousness as a female model




literature, cinema and art are taught how to achieve high levels of perception, intuition and knowledge of reality without having to study useless things or attend courses. Women writers and artists learn through the bodily senses (the second chakra) and can develop over time the meaning of mental (fourth chakra) and finally to a more advanced stage of synthesis of knowledge, to discover the truth hidden intellect through the senses (the sixth chakra).

The reference to Tantric culture is essential to understand how if the sense of mental evolving perceptual awareness (the cherub with wings) is the foundation of alchemical universal spirituality. Even in the West alchemists describe the same phenomenon experienced by evolutionary tantric drawing the three stages of development of cognitive perception (the spear in your hand by the child) that you win by following the Laws of the Great Mother.

The bodily senses investigate the mineral (the first stage of the column), a metaphor of reality dominated by basic instincts, the senses of the mind instead are able to investigate the plant world (second stage) breeding ground for feelings, emotions and feelings that inform us of the presence of love or conflict, the meaning of the intellect, Finally, unable to penetrate the world of myths and archetypes (the third stage) and to include games of consciousness simulated by male and female libido.

Beyond the third stage begins the world of initiations Art of Perception, a place of bliss in which we learn directly from the milk of knowledge that springs from the bosom of the Great Mother. It must therefore evolve in female power (second, fourth and sixth chakra) and develop what little self-consciousness that can poke through sensory perception (the spear), the fire of knowledge and the sacred smoke (adrenaline) that arises from 'psychic excitement of being loved and nurtured by the Great Mother, a metaphor for "Universal Mind" which is realized at the end of the Great Work.

The alchemy of the physical senses, mental and spiritual is described by the works of artists who write and paint what they know with their own senses and not through intellectual ruminations. These are just some examples:

1. The novel "Pride and Prejudice" by Jane Austen describes with particular acuteness the substantial difference of method that characterizes the male survey (action) than women (perception). The male pride and prejudice women can creatively resolved if the parties reversed roles and the perception of women progressing to observe, scrutinize, probe and filter out the positive elements from the past to preserve and enhance, assumes the leadership role of the action.

2. The movie "Girl with a Pearl Earring", inspired by the works of Veermer, emphasizes the role of the mother-in-law (the cognitive perception of reality based on the production of money), his wife (the emotional perception of reality based on instinct to protect the balance as well) and servant (the sensory perception of the point size interione BALANCE between reality and conflicts), in relation to the action of the creative artist. The film briefly describes the ability of the perception of women instinctively find the balance point of compromise dall'irrompere of light (the creative action) within the domestic space (Soul).


3. In the painting "Woman with a Balance (1664), Veermer metaphor in describing the talents of sensory perception of the woman (the virtue of Prudence / Scale / Justice celebrated by the Greeks) to restore order and BALANCE (or its opposite) in the consciousness Social (blue cloth). The natural chemistry of the cognitive emotions and feelings in moral sentiments (the pearl necklace) evolves in fact instinctive ability creative soul (the woman is pregnant) to judge the actions and discriminate the quality of light present in all forms of social relationship (the scale). Veermer Behind the woman places the painting of the Transfiguration, a metaphor of the stadium final process of "purification" delal libido that supports the creative action of the individual in society.

4. The intuitive perception of the soul is still relegated to the role of "servant" in the decision making process implemented by the developed societies, confined to play a weak role of social criticism when the "games are already made" and the "horse has already escaped from the barn. "

The culture of solidarity, peace, resource sharing, respect for differences, environmental protection and heritage does not have a religious foundation in ethics, compassion or charity. The civic consciousness stems from the development of perception female to capture the right balance between the parties and the whole and between the whole and its individual components.

development through its powers of perception plays a pivotal role in building the balance psychological, social and cultural individual and collective. Vermer was the artist who more than anyone else has explored and marked in all possible variations induced by the change of light within a domestic space. Art research unfolds, of course, even if the artist paints the same subject for a lifetime. Indeed. It 's easier that testing obsessive balance compromised by light, Vermeer is considered by the essence of every color, has the effect of stimulating early artistic sensibility.

The artistic sensibility is structured in four acts: balance, strength, depth and abstraction of the image. The artist who made the "four cornerstones" of the "alchemical Perception creates the" Philosopher's Stone "of the alchemists of the Renaissance, the metaphor of an enhanced ability to weave the threads of artistic composition with insight, wisdom, experience and originality. It 'obvious that the artist is not interested in these considerations "not useful" immediate. But those who learn to read the "value" of the images left by "Pride and Prejudice", may one day discover that they have the talent to perceive not both the "beauty" of art forms, but also the feelings, dreams, hopes, doubts and conflicts experienced not only by the artist, but also by people who share our daily reality.

The perception of inner beauty, aesthetic pleasure and spiritual chastity is the ideal Renaissance alchemist. Values \u200b\u200bnow lost in the limbo of forgetfulness of who we are and what we have been.

Happy Birthday Arabic Woman

Seven cognitive meaning of Consciousness


written by Marta at 10:51 Breuning


Beato Angelico, Annunciation

The bodily senses are not limited to the prerogatives of the five senses we commonly know. Vision, smell, touch, taste and hearing remain "silent" protagonist's perception if the soul of the right hemisphere inhibits the right brain to synthesize the physical sensations and psychological insights in kinesthetic sense, sense of self and self-love.

Taking care of body, mind and spirit, the "masculine trinity" that allows us to interact with reality with "awareness, consciousness and knowledge of ourselves," regarded by the alchemists "female Trinity" forged by the three Goddesses (Kali / Juno), Lakshmi / Aphrodite, Saraswati / Athena, means expanding the power of the soul to manifest itself in the "Three Worlds".

Secrets of Alchemy are contained in the sexual dimension, emotional and aesthetic of the human experience. Sex and eros (Kali), love and beauty (Lakshmi), art and knowledge (Saraswati) can profoundly transform the 'individual (the ego of St. Joseph)) that identify the character waiver sexual, social, cultural and religious must be recognized that necessity and fate. The change announced by Art Alchemy (the Archangel Gabriel) the alchemist of the senses (the Virgin) takes place in three steps:

1. Alchemy of perception induced by the development of a sense of spiritual self (the Child of Bethlehem) and the seven bodily senses (muscular coordination, presence of mental, mental alertness, concentration, creativity, focus cognitive, meditative reflection, aesthetic contemplation) illuminated by the seven-pointed star leading the Magi bringing gifts to be able to expand the meaning of the bodily senses in mind.

2. Alchemy intuition that emerges from the manifestation of the sense of self (Epiphany) in social life (Child of the masses). Even in this case are not sufficient for the five senses, the mind can say truly understand the reality in which we live. The five senses of the mind (memory, visual decoding, logical intuition, subjective interpretation, rational understanding) remain "blind" actors intuition if the soul of the right hemisphere inhibits the ability to synthesize perceptions sensory and psychological insights in the tragic sense, aesthetic and spiritual consciousness that distinguish the Greek and Renaissance.

manifest psychic emotions of the soul, the feelings of consciousness and sensory perception intuitive intellect, the "Trinity Earth" which opens the door to transcendence, is learning the art of looking at the reality, to perceive the hidden truths and to know the Truth (Aletheia) obscured by the images and words projected by the libido.

Cultivating critical thinking (Aphrodite and Adonis), tragic (Meleager and Ariadne) and aesthetic (Ninfa Leda and Zeus) leads to understanding the dynamics and perverse games soppraffazione implemented by the men and women, and society as a whole. The knowledge of the game of consciousness represented in the plots of mythology, novels and film, has the effect of espendere the "timing" so you start to give advance notice (Cassandra) the eruption of libido in the consciousness that evolves from the powers of the soul. (See the film "Eight women and a mystery").

The "sense of time" often punctures the size of linear time, as the soul lives forever in the cyclical time, perceived as a harbinger of tragedy, drama and deja - vu that bring awareness to question the meaning of "true life ". E 'in this creative dimension of existence generated from the Art of Alchemic translate meanings in the images and meanings in symbols, emblems, metaphors and allegories, which the mind takes possession of the ability to use cognitive and creative faculties of both cerebral hemispheres (Castor and Pollux) in order to evolve Finally, in the sense of beauty (Helen of Troy) and in the moral-spiritual (Clitemnnestra) that characterize the higher qualities of Heroes / Artists.

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King Midas: the aesthetic-cognitive

Beauty and knowledge are inseparable. The perception of beauty is done in stages and requires the gradual development of a sense of self psychological, spiritual and cognitive development. In particular, the cognitive sense of self, understood as a synthesis of all the insights that, as possible to my mind, they are able to prioiettare in the sensible world, view and contemplate the inner space in the "center of the forehead," produces a "fork" of information (the letter Ypsilon androgyne) that gave rise to the perception aesthetics and intuitive.

The information coming from the "images" and coming from the "words" is synthesized simultaneously by the two cerebral hemispheres (the archimente theorized by the sociologist E. Morin). Beauty and knowledge become one unit so indisssolubile, a factor that influences the other. The search for new aesthetic, distinctive of the faculty of the right pushes the left hemisphere to find new technological solutions, and aerodynamic strrutturali that make possible the new form.

the same way the technical and technological innovation as it develops by science, encourages artists to experiment and aesthetic means of expression that changes the collective aesthetic. For example, studies on Optics, the science of perception to excellence, has produced three revolutions: the representation of perspective (the late fifteenth century), the vision to "telescope" (late seventeenth century) and the puntilismo (late nineteenth century).

Arts and Science are two of the human brain activity arising from the same process sensory, kinesthetic and cognitive. aesthetic information. For philosophers, cognitive scientists, the art of Aphrodite is an active man already at the tender age of Art is the sensible option that enables each individual to develop and expand the "sense of self in space (the 'environment) over time (life) and the change in energy biopsicosomatica soul, mind and creative consciousness (the natural metaforfosi).

The art is configured so the perception of art in its highest sense. Perception that helps us to avoid from an early age to slam my forehead against the edge of the table (the sense of physical self), to develop complex forms of instinctive reaction to environmental stimuli (psychological sense of self) and decide what words, expressions, behavior and psychological forms used to influence interpersonal communication (mental sense of self). On a more creative art helps us to store new mental models, so we can absorb them without having to experience living without having to learn a long process of induction, and also provides us with a range of experiences that otherwise would not have been able to sepruimentare person ((material and spiritual sense of self).

At this level begins the alchemical art, or the introduction to intuitive perception and then experience a "virtual" all possible options with which you can creatively express themselves in the world and bring forth their complex nature (The pleroma: instinct, drive and libido) in conscious form, original, characterized by "intrinsic value".

"While the useful inventions of the art only indirectly affect the human race, the inventions aesthetic directly extend human consciousness, expand the field of human perceptions and emotional speech, extending our participation in the feelings of others. Through the enlargement of the canal sensitivity of human knowledge of the universe will expand. The difference between technical inventions and artistic inventions is the difference between changing the environment around us and change our perceptions of the environment. " (Kubler, 1976).

Develop the sense of creative self (Bacchus) means working every day with the "matter" in order to experience the techniques and applications that make me body and talents available in order to select the most appropriate from time to time, to specific needs expressed (sense of cognitive self of King Midas.)

The sense of creative self of Bacchus, the synthesis of all the possible processing and tending to the new creations that, as far as possible are able to manifest through the body of the talents, abilities of the mind and sensory perception of the soul (Silenus, the teacher of Bacchus) really has the effect of turning every idea, invention and design in gold.

Legend that Silenus (the "Master" which obeys Bacchus), drunk with wine for the numerous invitations to dinners and parties, he was lost among the fields. King Midas, the cognitive sense of self, it is hosted in his palace, the care and catering, and then give it back to Bacchus, in order to repay his generosity, offers to grant her wish: King Midas asked of course to transform any His idea, invention and design in "gold", a metaphor for the creative power of the self to draw the shape and the technology best suited to the needs of the time.

Bacchus granted his request. Earth, stones and even ears of corn and the food turned to gold. At this point King Midas asks God to release him from the creative ruinous luck that would lead him to certain death. The wine of God shows him the path of liberation from the libido that leads to the source of the river Pactolus, a metaphor for the baptismal font where he was to wash the body to eliminate his guilt. (Libido, the sin that arises from the impure mind)

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Female sex as a cognitive model The meaning of Bacchus


Sex and knowledge are always together. The moves of reason and rationality for the aims envisioned by the male libido, are ever, at any time, place and culture with the reasons for the female body. The women embody the demands of the body against reason: heteronomy of otherness of consciousness and feelings clash with the autonomy of male instincts (instinct of action) and will dominate the world through ideas, abstractions, concepts and theories.

body pervaded by bodily feelings, instincts (Goddess Kali), emotional (Goddess Lakshmi) and cognitive (Goddess Saraswati), it is always female, and then plural (Trinity) in its demands and its needs. When the idea brought forth by the left male (Saturn), also the highest and most pure, meets with the reason of the body represented by the woman, albeit in a claim of asceticism and purification, the idea they are infected and contaminated so unredeemable.

The tantric conception of life, unlike the Cartesian cogito ego fisolofia generated that removes in a few decades, the androgyny of thought conquered by Renaissance artists, you submit to the roots of knowledge and biopsychological epigenetic rules that shape the relationships between people and between man and nature. The body, as depositary of the instincts, the instincts and the libido (desire to integrate the missing parts of self) is the temple of sexuality that is absolutely possible to achieve emancipation from corcitivi aspects related to biological purposes (breeding / conservation) . materials (pleasure / safety) and social (family / culture) of life.

The concept "Catholic" of the female, believed to be the reason men unable to develop a free and independent will of its purpose (procreation and pleasure object), and therefore unable to sustain aim for good ethical values, identifies the woman the "devil" that makes the man fall into sin, and if he wants to rake, whether he wanted him to ascetic. The woman's body, "karma" subject to the playback features of the species is the greatest danger the unity of the ego psychology, as it is, according to the Platonic image, policefala creature, the bearer of many reasons and therefore plurarità and contradiction. It 'clear that the body made functional by the Pleroma of the instincts and place of clash of mixed feelings for the woman herself represents a constant conflict and tearing of the soul.

Penia His sign is: lack, need, misery. And for this character (psychic) \u200b\u200bthat she swallows everything, suggestions and dissolves all wealth. As the matrix of life and divinity of the time (the Goddess Kali), the female body speaks through the unconscious, a variety of dialects that never coincide with the common language, a bearer of otherness of emotions, and heterogeneity of moral sentiments Finally, nothing to do with the current values \u200b\u200bthat falls outside of any ethical and aesthetic discourse.

Unlike the man engaging in sexual bodily functions, and carry out simple machines, more often poorly coordinated, the soul of the woman (her i feel) is to establish a conscious relationship with your body. As the coupling is his "schematic" organic-transcendental, intercourse becomes aware of the instinctive feelings, emotional and cognitive structure, finally, the "conscience of the report" feature of women (and of the alchemists) pregiudizioni free, under guilt, perversions, inhibited desires, and morbid curiosity false intentions that pollute the perception of reality and social relationships.

The female, seen as an experience of kinesthetic coupling implemented by proprioception (the power of Kali), represents the cognitive model for the alchemists evolve in the moral qualities / sensory, ethical / spiritual and perceptual / aesthetic and the individual (the self investigator) must grow within him if he wants to gedere every moment of life.

The soul has the body (the state of grace) when not affect the motility of the body and what happens when the women (the natural yoni) is comprenetrata the phallus (lingam) to the point that male and female form What a unique symbol of the Shiva lingam. The worship of the lingam has a spiritual meaning that transcends the genital coupling. It 's the lingam of Shiva going on in the body (Kali), heart (Lakshmi) and mind (Saraswati) women, the desire to know the feelings of the three evolutionary Dee still representing a peerless model of awareness, understanding and knowledge of human nature (the wet of the alchemists).

When the person stops the "inner woman" to evolve through eperienze of sex, love and art embodies the form of Shiva / Rudra, the destroyer of worlds, the lord of tears. Inhibition, castration and the refusal to mate with the woman in the manner "instinctive, emotional and cognitive" as required by his sexuality in Western culture produces the phenomenon of distance by itself, does not coincide with the peculiar loneliness and self- 'alienation. The Western consciousness is understood thus as laceration response to a sense of loss and disintegration of the ego. The investigator I (Theseus) loses one of its LAN (Ariane) and is no longer able to exit the labyrinth of the psyche, falling victim to the hungry carnivore of the Minotaur, the symbol of the egocentric libido of those who seek the pleasures of life (the seven children) and the spiritual food (the seven fanciuille) other than their own.


Sex and knowledge come together in a single thread (the thread of the self) when the individual is "asleep" instinct, drive and libido (the three satyrs painted by Botticelli) and let the 'love, perception and intuition of Aphrodite (dressed) to guide them towards the achievement of perfection. Shiva (Mars) becomes a beneficent God, lord of sleep, immune from any temptation to wield power linked to the name / action, identity / will and to their ideas / knowledge, perfectly naked and intact, stable and free from disturbance , balanced and aware of being pure sexual energy (the lingam), the sulfur of the alchemists.

Combining the sexual energy of Shiva to the wire illuminated by the female (the left side of the body), I (egoless) gives rise to love (eros), consciousness (love) and intellect ( Hermes) soul. Mars lost its meaning to do, and, in its size more advanced, it becomes the "triple fire" of transcendence (the spiritual self)

"He has the body and even organs of perception. There is no one that is similar or larger. We only hear about the thousands of forms of its inherent transcendent power, knowledge, will and to act "(Shvetashvatara Upanishads)

transcendent powers of Shiva is a manifestation of Shakti as the female action leads to awareness of the report (Animus), will report in good conscience (Spiritus) and knowledge in relation to knowledge (intellect). Sex lights up the body (eros), mind (Amor) and spirit (Hermes) of Aphrodite and where are the three things together in the center of the forehead, you can create the elixir of eternal Beauty and Knowledge, the soma, the divine nectar, the food of the gods.

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A right to report any change in the external world, mediated by the kinesthetic sense, sense of self and the libido to carry out the wishes of the soul, is a chemical modification of information (bile), magnetic (phlegm ) and electrical (argentum vivum) within the sensory decoding system (the cerebellum) and interpretation of the signal in the memory of the evolutionary synthesis (spiritual The right hemisphere of the Virgin Mary)

The artist absorbed in his own work, the philosopher in the contemplation of nature and the mystic who is immersed in meditation, explore, each in its own way, the power of evolutionary memory (internal) to preserve a vivid memory of previous experience, not excluding those experienced in previous lives. The phenomenon dell'introversione libido, spontaneous in women and individuals who need to develop a father figure in lieu of the real one, emphasizes the mind's ability to "stop" the flow of thoughts, impressions and sensations that constitute the cognitive humus in which which germinates the seed of action produced by the "monkey mind.

In the condition of the "inner silence", the final stage of the experience described in the legend of Narciso at the time of the dissolution of all forms of self-reflection, the inner memory begins to "work" as the "engine", although still, all the 'universe of the soul. E 'in this engine, powered by the fuel of the introverted libido, that the spirit finds its home.

In De Trinitate Augustine writes: "If in fact we refer to the internal memory with which the mind remembers itself (kinesthetic sense), which includes interior and intelligence itself (sense of self), and the inner will to which we love (or Love on the Libido), where these three are always together (right hemisphere), have always been together since they started to exist, whether they think (know) and that it was not (subconscious) appears indeed that the image of the Trinity belongs to the memory alone. "



It is uncertain whether it was Piero della Francesca an admirer of St. Augustine. And 'certain that the philosophical culture of the time to seriously study what was the safest path to reach and quick to perceive the light of God, called by Augustine "mindset itinerarium Deum." Even then, enlighten the mind meant create a path of "Beauty and Knowledge," which evolved into "Virtue and Wisdom" as the mental factors (the three gunas of Tantric) were transmuted by the light soul (chemical energy, magnetic and electric).

ascend to heaven and touch God's light and immerse themselves in the Holy Spirit (divine inspiration) had a precise meaning biopsicosomatico. To become as God the Creator "was necessary to understand the experiences of the Son, the perfect model of transformation of individual consciousness, which is subject to perturbations of the mind, in the universal consciousness of those who come to dwell in the" internal memory ", a mystical place located in the right hemisphere" connected "to the feelings of the heart. Is why the Itinerarium Mentis Deum could only start from the conception of their child and unfold through a series of images that had a pole of attraction the figure of Baby Jesus in the arms of the Virgin Mary.

Beauty and knowledge go hand in hand, they are always together as the Virgin and Child. The beauty of the soul, fascinated by the processes of metamorphosis of intelligence in sensory awareness (the Virgin), and self-knowledge (the child) that stems from the immaculate soul down with their libido, they represent the core Philosophy of Aphrodite / Maria, celebrated in the Magnificat, hymn to the glory of the Mother of Jesus, made of the same substance as the Father.

The Child is a first part of the totality in which the alchemists recognize the power of God the Creator. Piero della Francesca is a master dell'Alchmia interior. He knows all stages of transformation of black bile (the psychic drive) in red bile (impulse like), yellow (cognitive), and white (no drive and therefore awareness). As an artist experiences the creative introversion (red bile becomes rubeum Elixir) and the transmutation of the intelligence report through the powers of perception (the angels, cherubim and seraphim).



The profound introversion of the libido becomes creative, and is therefore able to generate the Child, in the occurrence of a merger between the ability to face reality (the angel on the left) and the ability to incorporate information from outside (angel on the right). We must establish a link between the present time (the reality without illusions) and the future (the desire to carry out the wishes of the heart), so that the process of introversion of the Virgin (in the alchemy of the rational intellectual soul) reveals a clear intuitive knowledge, material and spiritual existence.

immersing themselves in the internal memory (the Virgin looks inside itself) begins to incorporate the creative individual impressions of the universal mind (symbols, metaphors, archetypes) is most useful for the development of self-knowledge, and translate, through the "sense of self " material and spiritual (the child Jesus) in shares, and creative works inspired by the mind free of thoughts and impressions (the white carnation).

Unlike the complex dynamics produced by the artists of the Renaissance spiritual alchemy to describe the complex transformation of love in the love of God, Greek mythology goes directly to represent the birth of the sense of self material (Bacchus) and spiritual (Arianna ) at the end of a journey of sensory understanding of reality (the Triumph of Bacchus).

Titian, Triumph of Bacchus. The procession of Bacchus meets Arianna return to India. Bacchus sky rocketed into the crown of Ariadne, which is transformed into a constellation (Eight stars). In the background you see the ship of Theseus has just abandoned Ariadne on the shore ..



self-love that introvert not only leads to meditation, but also looking for the sensory pleasures that gratify the earthly existence of the soul. Through the experience of carnal pleasures (sex and food), mental (the wine and games) and spiritual (the art and music), the individual frees the soul from earthly passions and the crown of Ariadne (emblem of metamorphosis of the soul) can ascend to heaven (the Regina Coeli) and become a celestial constellation, a new constellation of philosophical and spiritual meanings.



Bacchus is one of the favorite themes of Caravaggio. Inside the cup, the metaphor of a "brain place" where to collect the nectar of self-knowledge (the wine), Bacchus distills the sense of self in the material sense consciousness of reality. Life becomes a "Triumph of pleasure" if you have the right to enjoy the meaning of physical, mental and spriituali.

Sensory consciousness dall'introversione melancholy born of the sexual drive and requires a waiting period useful to "soak" the physical senses (the apples) and mental (pears). The fruit decomposition time is the time needed to evolve dell'introversione libido in the "spiritual sense of self" in Arianna,

E 'through the wire of the "spiritual awareness" of Ariadne Theseus can find the way out of the labyrinth of Minos, after killing the Minotaur.

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Dissolution of Narcissus and the birth of Bacchus



If we become sensitive to aesthetic beauty and spiritual transmitted by Aphrodite, we've created the sense of self and mind are willing, as shown by the myth of Narcissus, to give an abstract concept of beauty to embrace instead the power of art to illuminate the mind through a conscious deployment of symbols, emblems, metaphors, allegories and mantra (Matrika shakti), the language of archetypes broadcast from the Universal Mind.

The phenomenon of adherence to the canons of beauty for thousands of years that illuminate not only art, but also the moral behavior, ethical and spiritual needs of individuals who have made the history of human feelings, is that whenever we perceive a subtle vibration in the heart and appears in more or less deep, the sign of disturbance.

Lovers, women artists and experience the phenomenon in cycles, each time the spiritual energy (Venus Urania) is placed in the "heart" (the moon is in quadrature to the sun, moon phase ascending and descending). The disturbance was the beginning of a phase of psychological introversion, mental and creative when it becomes possible to assimilate in ways subconscious, unconscious and iperconscie, the "Seven Habits of Aphrodite" which are propedueutiche the purification of libido (amor sui), the transmutation of bodily sensations in perceptual awareness (sense of self) and the transformation of 'identity conscious rational understanding of the transcendent power the mind (full moon) and the powers of intuition superconscious (new moon).

The Freudian interpretation of the myth of Narcissus, attributed solely to the topic of love, is certainly limited, although the phenomenon is more evident in the individual that emerges when he learns the art of communicating (intelligence report), and then to influence, persuade, influence and manipulate the psyche (the nymph Echo), simply stepping back and spurning contact. The mental sense of self, a synthesis of all possible forms of communication and receipt of information that, as far as possible are able to express in my relationships with the world, often degenerates into complacency, arrogance and conceit, the peculiar characteristics of those being now ironically labeled the women as "vain", "Know-", "unscrupulous seducer" or "more beautiful than others."

E 'at this stage that develops the force of desire and the feeling of being able to create any desire, to which corresponds, if successful, a hypertrophic development ego, the only one capable, through a process of reasoning, choice and decision for the aims to give value to the object of desire. The ability to direct the desire for an object is called libido. Libido is considered the fuel of spiritual as its immediate purpose (subconsciously) is to reinstate himself in the essence of the desired object.

The libido is the primary mental strength that allows us to integrate us into the "energy" necessary to achieve balance and psychological material. When the libido is directed outwards from the individual wanders in search of money, beauty and pleasure of representing the experiences necessary mental ego (the Prodigal Son) to dispel all the psychic and material resources and return it to the house of his father (the evolutionary rationality). When the libido gives strength to the desire to know oneself, or to discover spiritual truths, and turns inward, it happens that I mind the "sinks" nell'introversione psychic (adust melancholy), and creative (generous melancholy) , given the state of mind that reveal Alchemy of perception, consciousness and self-knowledge.

Even Narcissus is pervaded by the, from libido to achieve the desires of the heart, and not heed the echo of his soul that the "following and watching him to be hidden away behind the trees, "a metaphor for a condition in which the subconscious desires of the soul (of loving introversion) are neglected to give priority to the desires of the ego. Narcissus not only ashamed to listen to the desires of Eco, but mocks female libido which, unlike the male partner in the search for a possible integration of what is actually "missing" in the female body (the act of dipping).

For this reason, Love, son of Aphrodite decides to punish him. The punishment is simple. Love, symbol of the aesthetic and emotional disturbance, he invokes the goddess Nemesis and reverses the direction of the libido from the outside. The introversion of desire translates into a desire light of knowledge and instinct of reflection writing in female DNA. The introversion of libido forced everyone to "look in the mirror" and reflect on the symbolic meaning of relationships and the relationships we have with people and things.

Libido it looks for what is missing in the Soul to evolve self-consciousness sensory (Bacchus) and ascend "to heaven" (Arianna). Self-knowledge, as well as teach the myth of Dionysus who dies while you look in the mirror, the threshold that allows us to understand the illusory dimension of reality created by egocentric libido and potential deceptive connected to all mental activities and relationships in which the libido to come to terms with the libido of others while pursuing their goals. The truth is beyond the mirror and self-knowledge, shattering the Dionysian dimension of material existence, leads us beyond the illusion, the deception and the search for sense pleasures ephemeral.

Greek mythology tells us that Narcissus falls apart at some point. The introversion of libido causes a gradual dissolution of the ego and love the results in a new and more sophisticated self-consciousness. Narcissus dies and remains as sleeping on the bank of the river (from the petals of drugged consciousness that he himself created in the flower of the same name), while at his side "was" the extraordinary figure of Bacchus.

Bacchus sublime interpreter of the consciousness of the alchemist that sensory introvert libido to seek the pleasures of the soul through the distillation of the bodily senses, mental and spiritual (the Elixir), is the logical continuation of the Philosophy of Aphrodite: Narciso marks the transition from the "sense mental self "to the" sense of self sensory / spiritual "of Bacchus. The spirituality transcends the man, but is a value field, won by developing sensory and compliance with the rules of Art

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Disturbance and dissolution of Narcissus

Greek mythology teaches us a path of knowledge that is not an end in itself. Myths are generated by the universal mind consists of the archetypes. The archetypes structure the human psyche in its substrates subconscious, unconscious and iperconsci psyche and make the kingdom of the report, as each archetype, not unlike the writer asks the individual mind (the film's director) to identify the actors, relationships and the "location" most suitable for the development of spiritual destiny (the plot) the soul which is incarnated in the body (the alchemical work of cinematic translation of a virtual reality imagined by the writer in another virtual reality created by the director with the contribution of actors , technicians and producers).

Greek mythology, not unlike the film, teaches a path of knowledge which is not dedicated to the fun pure and simple. It 's true that the soul has when she sees herself reflected in the vices and defects of the protagonists, but it is equally true that the archetype interacts with the individual and the collective unconscious when the soul to be found in "internal memory" is a direct correspondence and pregnant with meaning to the point that he understands, in ways subconscious, to be an emanation of the universal mind, the writer divine.

The phenomenon of recognition of the archetype inspired by the events of mythology, from plots of movies and fairy tales, and re-produced in the image of Alchemical in a symbolic, has an extraordinary effect. still misunderstood by Western culture. Recognizing that the archetype is the fate of our soul means to perceive and feel what Freud (1919) has called "disturbance of the soul", or "displacement of the heart" (Unheimlich). The archetype enters the heart (the evolutionary memory) and causes a "loss of self" to which the 'spectator' no longer feel safe within the walls of the home (Heim), but experiences a profound disturbance becomes dismayed when "cyclically" (the cycle of the lunar nodes) in the involuntary repetition of equal, from what Proust, for its part, defines "involuntary memory".

Often the disturbing element is identified in a person, situation, image, dream or fantasy, and produces a painful effect and destabilizing. The "displacement of the heart causes the breakdown of linear time (Saturn / Cronos) for which bursts into fleeting consciousness of the" knowledge of the return of the repressed (Uranus was killed by his son, Saturn castrates him and throws the balls into the sea Kythera).

The rationalization process put in place by Western culture, aimed at structuring in linear time a strong social identity and collective goals consistent with the (Cronos), removes the soul's spiritual mind (Uranus) from the throne in which must reside naturally. Just as the woman's mind is removed (castrated by Saturn) by culture and society, because it is unstable (cyclic) to hear more suggestions from the Spirit of Time that the commandments of God, so the intuitive mind, linked to the cycle of archetypes, has lost contact with the historical time and still is unable to interpret the "measure of the eternal return" social phenomena, political and cultural factors that generate wars, destruction and economic crises.

The "social disorientation of the heart" is the description of the time of crisis, the precariousness of what becomes visible as soon as we are forced to leave the walls of the house of language logical and rational, but is also the prerequisite for the "birth of Alchemical" (from the Sea of \u200b\u200bKythira, the foam generated from the testicles of Uranus, it appears on a shell, a symbol of intuitive synthesis, Venus Urania), namely a renewed (resurgent) desire to understand the meaning of spiritual experiences, relationships and coincidences that punctuate the life of the soul.

must leave the safe walls of the language of logic and rational-cognitive structures cemented by unlimited faith in progress which prevents us from receiving the daily invasion of the archetypes contained in the mental body of Venus fertilized in vitro from the seed of Uranus, the mind spriituale artists. Transported from the culture of the soul passed from mythology and cinema (the Zephyr Wind) and feelings of the hearts of women (the Aura of the astral body), than men who aspire to know the spiritual destiny of his soul, the archetypes contained in the body of Venus can be accepted by the mind (the island of Kythira) dall'assillo free time (twelve hours) .

mythology teaches us a path of knowledge that leads us to discover the meaning of beauty, the seventh sense of the soul. E 'through love for the beauty of body, mind and spirit of women is pssibile come to perceive the mystic sound of the seven Muses, the seven arts, which will deliver the power of archetypes, and then the universal mind (the cycle of Uranus), in our hearts. If we become sensitive

the aesthetic beauty and spiritual transmitted by Aphrodite, we've created the sense of self and mind are willing, as shown by the myth of Narcissus, to give an abstract concept of beauty to embrace instead the power of art (Matrika shakti) to illuminate the mind through a conscious deployment of symbols, emblems, metaphors, allegories and mantra, the language of archetypes broadcast from the Universal Mind.

L 'break the archetype in the heart of the initiate Art (Narcissus) causes a temporary loss of sense of where we usually identify, namely in that part of the brain that does not want to hear the voice of the soul (the nymph Echo), which instead is sensitive to cyclical time and incessantly repeats the first words of each sentence to announce (whether subconsciously) a change of vibration in the Mystic Universal Music.

Narcissus is beautiful because it has an aesthetic sense, but does not know the effect of the transcendent beauty of purifying the self from the libido, to transmute the laziness and arrogance in the desire for knowledge and to transform the sense of self in the mental sense of spiritual self is aware of who has a destiny, an archetype to interpret (the south lunar node).

If life becomes a film of which we are spectators of life outlined by the archetypes, but the material life is perceived by the alchemist as the Kingdom of Illusion Ignorance and in which we believe to be what we think we know and what we can not decipher the rationalizing intellect.

mythology teaches us a path of knowledge in which we become what we know. And 'the secret of alchemy, the secret of those who choose to be enlightened by love, awareness and knowledge of women daughters of Aphrodite, women sensitive to cyclical time of the moon and giving up the ego of truth that still declamatre do not know, but they perceive with the heart, the subconscious mind of women.

Eco, because of his claim to love (know) who does not want to be loved (known), is bound to become a rock, a metaphor for a process of petrification of psychic intuitive, while Narciso disappears within their own reflection in a mirror (the rational on its face identification / social identity and the stereotypes of beauty) that can no longer recognize.


Dissolution of Narcissus and the birth of Bacchus


If we become sensitive to aesthetic beauty and spiritual transmitted by Aphrodite, we've created the sense of self and mind are willing, as shown by the myth of Narcissus, to give an abstract concept of beauty to embrace instead the power of art to illuminate the mind through a conscious deployment of symbols, emblems, metaphors, allegories and mantra (Matrika shakti), the language of archetypes broadcast from the Universal Mind.

The phenomenon of adherence to the canons of beauty for thousands of years that illuminate not only art, but also the moral behavior, ethical and spiritual needs of individuals who have made the history of human feelings, is that whenever we perceive a subtle vibration in the heart and appears, in more or less deep, the sign of disturbance.

Lovers, women artists and experience the phenomenon in cycles, each time the spiritual energy (Venus Urania) is placed in the "heart" (the moon is in quadrature to the sun during Moon rising and falling). The disturbance was the beginning of a phase of psychological introversion, mental and creative when it becomes possible to assimilate in ways subconscious, unconscious and iperconscie, the "Seven Habits of Aphrodite" which are propedueutiche the purification of libido (amor sui), the transmutation of bodily sensations in perceptual awareness (sense of self) and the transformation of 'identity conscious rational understanding of the transcendent power of the mind (full moon) and the powers of intuition superconscious (new moon).

The Freudian interpretation of the myth of Narcissus, attributed solely to the topic of love, is certainly limited, even if it represents the phenomenon more evident than in the individual emerges when he learns the art of communicating (intelligence report), and then to influence, persuade, influence and manipulate the psyche (the nymph Echo), simply stepping back and spurning contact. The mental sense of self, a synthesis of all possible forms of communication and receipt of information that, as far as possible are able to express in my relationships with the world, often degenerates into complacency, arrogance and conceit, the peculiar characteristics of those being now ironically labeled the women as "vain", "Know-", "unscrupulous seducer" or "more beautiful than others."

E 'at this stage that spread the force of desire and the feeling of being able to create any desire, to which corresponds, if successful, a hypertrophic development of the ego, the only one capable, through a process of reasoning, choice and decision for the aims, to give value to the object of desire. The ability to direct the desire for an object is called libido. Libido is considered the fuel of spiritual as its immediate purpose (subconsciously) is to reinstate himself in the essence of the desired object.

The libido is the primary mental strength that allows us to integrate us into the "energy" necessary to achieve balance and psychological material. When libido is directed outwards from the individual wanders in search of money, beauty and pleasure that are the necessary experience mental ego (the Prodigal Son) to dispel all the psychic and material resources and return it to the house of father (evolutionary rationality). When the libido gives strength to the desire to know oneself, or to discover spiritual truths, and turns inward, it happens that I mind the "sinks" nell'introversione psychic (adust melancholy), and creative (generous melancholy) , given the state of mind that reveal Alchemy of perception, consciousness and self-knowledge. Narcissus is also pervaded

on by love, from libido to achieve the desires of the heart, and not heed the echo of his soul that it "follows and watches him from afar hidden behind the trees," a metaphor for a condition in which the desires of the subconscious' soul (love of introversion) are neglected to give priority to the desires of the ego. Narciso not only ashamed to listen to the desires of Eco, but makes fun of female libido which, unlike the male partner in the search for a possible integration of what is actually "missing" in the female body (the act of dipping). For this reason

Love, son of Aphrodite, he decides to punish him. The punishment is simple. Love, aesthetic and sentimental symbol of the disturbance, invokes the goddess Nemesis and reverses the direction of the libido from the outside. The introversion of desire translates into a desire for knowledge and the urge to light reflection writing in female DNA. The introversion of libido forced everyone to "look in the mirror" and reflect on the symbolic meaning of relationships and the relationships we have with people and things.

Libido it looks for what is missing in the Soul to evolve self-consciousness sensory (Bacchus) and ascend "to heaven" (Arianna). Self-knowledge, as well as teach the myth of Dionysus who dies while you look in the mirror, the threshold that allows us to understand the size of the illusory reality created by the libido self-centered and connected with all the potential mystifying mental activities and relationships in which the libido to come to terms with the libido of others while pursuing their goals. The truth is beyond the mirror and self-knowledge, shattering the Dionysian dimension of material existence, leads us beyond the illusion, the deception and the search for sense pleasures ephemeral.

Greek mythology tells us that Narcissus falls apart at some point. The introversion of libido causes a gradual dissolution of the ego and love the results in a new and more sophisticated self-consciousness. Narcissus dies and remains as sleeping on the bank of the river (from the petals of drugged consciousness generated by himself in the flower of the same name), while at his side "was" the extraordinary figure of Bacchus.

Bacchus, sublime interpreter of the consciousness of the alchemist that sensory introvert libido to seek the pleasures of the soul through the distillation of the bodily senses, mental and spiritual (the Elixir), is the logical continuation of the Philosophy of Aphrodite: Narciso marks the transition from the "mental sense of self" to the "sense of self sensory / spiritual" of Bacchus. The spirituality transcends the man, but is a value field, won by developing sensory and compliance with the rules of Art

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The liberation of Andromeda


Veronese, Perseus Andromeda free

Sleep Psyche is a crucial moment of the alchemical transformation of the "second subject" (the psyche) in the "third subject" (the mind). The four tests are outweighed by Psyche providenziale with the help of the ants, the barrel of the eagle and the tower alludes to the whole process of enlightenment of the psychic senses that characterize the experience of the psychics, mediums and clairvoyants.

Psyche at the end of the journey into the underworld steals the elixir of psychic perception of reality "invisible" distilled from Proserpine on a long "process" of exploring the subconscious mind, unconscious and iperconscia in Hades. Eager to know the fluid
Secret of Proserpine, Psyche can not resist the temptation to experiment with the "inner beauty" brought to fruition by transforming the understanding of the psychological impulses and irrational reasons that lead the soul to face, in the form subconscious, experiences, trials and conflicts inherent in the his "destiny" spiritual.

At the end of the four races, Psyche evolving sense of self psychic (character) in a mental sense of self (temperament), synthesis of all possible physical processing (ants), psychological (the barrel) intuitive (the eagle) and evolutionary (the tower), which, as far as possible are able to express, communicate and understand using mental energy my peculiar temperament of birth (the ascendant astrology). However

Psyche is not yet able to sustain the psychic metabolism made by adrenaline in the brain (Proserpine) and falls asleep, dozing in a long sleep, a metaphor of time needed to temper (Perseus) to face the monsters that dwell in the psyche, represented in mythology by the three Gorgons who have the power to 'petrified'. and thus prevent the process of transmutation of psychic energy (Psyche) in mental energy (Andromeda).

Medusa Perseus faces transformed by Minerva into a sea monster with serpent hair and the power to petrify with his eyes. Enblema ego psychic, typically female, to perceive the hidden truths attarverso the system of sensory perception, but then unable to select sources of information and preparation method and the range of rationality assumptions, Medusa is the established provisional LINKS soul psychic ( the cercvelletto activated by adrenaline) with the part of the brain (midbrain), which is a first elaborazioen the image and its contents.



Perseus must sever the connection and cut off the head of the monster, guilty of preventing the soul to evolve in psychological perception critical perception, rational and cognitive of what is received from the body. Minerva gives him a shiny shield as a symbol of a process of "movements" and what motivates the ego to act blinded by anger, jealousy and libido of ownership.

Perseus, the emblem of the temperament of those who are aware of what stirs the human heart, can run so fast on the wings of adrenaline and fight the dragon that holds captive Andromeda, the girl who embodies the mental Enego essential to evolve "mental sense of self."

Free from the irrational impulse to believe what the psychic character tells him to do, Perseus turns adrenaline in mental energy and joins the two cerebral hemispheres
Andromeda higher metaphor of a new psychic energy metabolism within the structures of cognitive and creative brain.

temperament and mental energy, they produce a defense system by the arrogance and conceit of those who claim to be right
by force of argument suggested by the psychic libido (the dragon) -

Monster Energy Backack

tests

The nymph bride Ippomene Atala and so brings about the mental metamorphosis of the nymphs of the drive in the "sense of self" of women. Aphrodite said the "rules of metamorphosis" and invites human beings (souls) to be aware of bodily sensations, not just those raised from eros and beauty aesthetics, but especially those who experience the the invisible, mysterious and often hidden, the infrared frequencies that warn of danger, trouble and possible problems inherent in any type of relationship, even love.

Greek mythology tells the complex story of Psyche, then picked up and rewritten in key fable by Apuleius in the first centuries of the Christian era, who disobeys the order not to look in the face of the beloved face. The mechanism of the story is the same as tested in Genesis in which Eve disobeyed God not to bite the apple of knowledge, knowing well that the female psyche is biologically in-sub-ordinate, that is intended to avoid any proposition and commandment from rationalization of the drives.

Psyche is not a nymph (psychic perception), but it is a woman (psychic sense of self) forced by parents to climb up a mountain (the brain) to become a bride to be horrible (the saturnine reason), just punishment for who "reads" a role (the "femme fatal" for example) and do not evolve in perceptual awareness.

Psyche has a remarkable control of his "records" emotional, and as an actress, artist's sense of himself as a psychic "means" for the express purpose of female intelligence purposes. To his way "mischievous" and to pretend crying on command, the Aphrodite punishes and forces her to face four trials.

The stakes are very high. In each test, Psyche must demonstrate that they can overcome their limitations biopsychological otherwise he must die, remaining confined forever nellzdimensione psychic existence. The symbolism of the story describes a real possibility for any individual to process sensory perception of Psyche in cognitive perception, understanding, symbolic and spiritual knowledge of its core feature of Proserpine, a symbol of the soul by marrying Pluto, descends into hell and knows the subconscious dimension (hell), unconscious (Purgatory) and iperconscia (Paradise) of the mind

The first test

The transformation of perception sensory perception requires a critical increase in mental energy, which translates into patience, perseverance and method. The beautiful Psyche is asked to separate the various types of pulses contained in a vessel and to group them by seed. Impossible task, but to his aid comes an army of ants.



"And so saying the rushed him and began tearing her dress in a thousand pieces, to tear her hair, to shake his head to strike furiously." Then he did bring the grains of wheat, d ' barley, millet, poppy seeds, chickpeas, lentils and beans, mixed them, made a great bunch and said, 'You are a slave so bad that it seems to me you you can not in any way of lovers, if not at the price of a diligent service. So I want to test your skills: divide all these seeds, choose that one by one, and make so many little heaps, in good order. Before the evening will be checking that the work has been done. ' It left her in front of that big pile of seeds went to a wedding dinner. "Psyche will not even try to put a hand in that confused, inextricable overlapping but dismayed by the enormity of that order as it stood in stunned silence. Then that tiny little animal of the field, the formicuccia, who knew how difficult it was for a job such, he felt compassion for the companion of the great Cupid and condemned the cruelty of the mother-in-law. So he began to get busy, up and down, rallying from its surroundings, all the people of the ants, 'Run, run agile daughters of fertile land and give a hand, soon, a lovely girl in peril, the wife of Love! ' And those all came running, in waves, a tiny six-foot people, and working with a zeal never seen, grain after grain, undid the whole pile, separate the seeds, set them in piles according to quality and then, in the twinkling of ' eye disappeared.


The second test

The second test requires the development of critical perception in the rational evaluation evidence of visible and invisible, obvious and hidden. Psyche comes to the aid of the "rod" that is still watching the true nature of things and "men".

"willingly walked Psyche not to execute that order, but to find a remedy to his tribbles falling from a cliff down into the river, but from the bank a green cane, the kind where you draw the melodies Possoni soft, as if inspired by a god, so he spoke in gentle murmur of the breeze: "'Oh, Psyche, plagued with so much pain, not to profane my holy waters with your miserable death and do not come near, now, the terrible and wild sheep, because the fiery blaze of the sun makes ferocious and with their sharp horns and with their faces as hard as rock, sometimes even poisonous bites, they rushed on the men to kill them. Meanwhile, till the sun of the afternoon will have softened his zeal, and the sheep will not appease the cool breeze that rises from the river, you can hide a leisurely under the great plane tree, with me drinking the same current. When the sheep will be quiet, then went to the nearby woods and shake the branches and find the gold wool remained attached here and there in the tangle of branches. '

"So humble cane immeasurable human psyche to the poor the way to salvation and that he regretted not having hearkened not hesitated to follow any instruction to the letter, so that was easy to make the theft and return from Venus even with the lap full of soft golden wool.

The third round

The transformation of rational perception in intuitive perception requires mental determination to trace the source of knowledge which is on the mountain ridge. Psyche begins to climb and an eagle came to his aid that fills the ampulla of knowledge of the sages.

"But even this second test, so risky, moreover, earned her captivity in favor of his mistress who, frowning and smiling so bitter he said, 'Do not is that I do not know who was also the author of this rascally business, but I still put to the test, just to see if you really have so much fortitude and a lot of wisdom. See there the cliff top of that highest mountain? There is a spring whose waters flowing down into the dark bottom of a valley near they end up in the swamp Stygia and feed the swirling currents of Cocytus. I want you to go up there, just where is the source, and instantly bring me in this little jar, a bit 'of that water cold' and so saying, not without threat of punishment more severe, the handed a phial of polished crystal.


The fourth round The transformation of intuitive perception, perception in cognitive, symbolic and abstract, then takes a deep dive into the ground, a metaphor for the exploration of the subconscious made his trip from Proserpine in hell. Psyche must select at Proserpine at least part of his knowledge in order to hope to overcome the fourth try and help him reach the tower.

XVII "Then Psyche realized that for her it was really over and he saw clearly that by now you wanted to send certain death. There was, in fact, be doubted since he forced himself to go with his feet Tartarus, the world of the dead? Without further ado well then went on a high tower to throw herself headlong up there thinking that this was the best way to reach and more sent to the underworld. But the tower suddenly spoke: 'Why, wretch, you want to kill you, throwing them down? Why before the latter risk, the latter want to try now to give you won? Once your spirit will be separated from the body go, yes, at the bottom of Tartarus, of course, but there's no way you can in return.

"'Listen to me: not far from here is Sparta, the famous city of Achaia, the promontory of Tenaro look that far is not even located a bit' out of reach. There is the entrance to hell through its doors wide open and you see the road inaccessible. You cross the threshold and get on the road following the dungeon and you will be entitled to the palace of Pluto. You do not need yet also in the darkness with nothing but bears two donuts of barley mixed with wine and honey, one in each hand, and two coins in his mouth. Walk a good stretch of road that leads to death and you will meet a lame ass laden with wood and a lame donkey driver he will pray you to pick up some fallen branches from his harness, but you do not listen to him, passing over in silence. "'Soon after came the river of the dead who is guarding whom to Charon patched his boat to ferry those who go to the other side you pay the toll. As you see, even among the dead there is the greed of money and even the famous Charon, or the same father, say, a god so powerful, they never do anything for free and when he died a poor man must get the price of the trip and if by chance there does not have the money ready in hand does not even give him permission to die. "'At that sordid old to give a toll of coins that you brought with you, but let him be himself, with his hands, to take it out of your mouth. Moreover, while the lazy current cross from the hair of an old dead 'at you raise the water putrid hands and beg you to welcome him into the boat, but do not let you bend a pity that you are not allowed.



"'Cross the river, a little further on, the old intent on weaving a web please give them a hand, but you do not, do not touch the canvas, because it is a snare of Venus, like all Moreover, to make you fall from the hand of a two donuts. Do not think that losing a cake thing is trivial: this would be enough, in fact, never see the light. Why is there a huge dog with three heads, Dick, terrible monster, huge, and with his mouth wide open howl against the dead but who now can not do no harm, and he tries in vain to scare them and eternally awake while outside the door to the dark caverns of Proserpine, the guardian of the empty house of Dis. "'You keep it at bay, throwing one of the donuts, so you can easily go up and come to Persephone who will welcome you with courtesy and kindness, and will invite you to sit at ease and enjoy a hearty meal."' But you will sit on the floor and ask only a loaf of bread and eat that, then tell her the reason of your coming and got what you will be given back, appease the ferocity of the other dog with bun, a coin that will give you the miser Pilot preserved and, again crossed the river, follow in the footprints to review our sky with its chorus of stars. "'But above all I recommend one thing: Do not open the box you bring with you, look inside, do not be curious, no note of that treasure of divine beauty that hides it.' "

So that tower providential acquitted his prophetic office and Psyche did not delay, reached the promontory of Tenaro and took the coins and donuts as instructed, hell descended on the road, past the donkey driver, without saying a word lame, gave the helmsman the money for the ferry, was deaf to the wishes of the dead floating, do not take any notice of menacing prayers of the weavers, subsided with the donut anger scary dog, and finally came to the house of Proserpine. "You refused to seat the soft and tasty food that the host offered her sat humbly at his feet, but contented himself with a dark bread, then told the embassy of Venus." It immediately took the box, and filled in secret sealed, he shut the mouths of the barking dog with the deception of the second ring, gave the boatman, the currency that had been hell, and came up with a much lighter step. "But after this magazine and adored white light, although he was in a hurry to make a success of his tenure, he was attacked by imprudent curiosity, 'I just a fool 'he said to himself:' I carry with me the divine beauty and will not take even a pocolino, if only to please the lover, my beautiful 'and said that he opened the box.

"But inside there was nothing, no beauty, but only sleeping, a lethargy of death came over her when she lifted the lid and which spread to all its members in a heavy fog of sleepiness making her fall asleep right where he was, there on the trail. "Psyche And he lay motionless in her sleep, as if dead."