Beauty and knowledge are inseparable. The perception of beauty is done in stages and requires the gradual development of a sense of self psychological, spiritual and cognitive development. In particular, the cognitive sense of self, understood as a synthesis of all the insights that, as possible to my mind, they are able to prioiettare in the sensible world, view and contemplate the inner space in the "center of the forehead," produces a "fork" of information (the letter Ypsilon androgyne) that gave rise to the perception aesthetics and intuitive.
The information coming from the "images" and coming from the "words" is synthesized simultaneously by the two cerebral hemispheres (the archimente theorized by the sociologist E. Morin). Beauty and knowledge become one unit so indisssolubile, a factor that influences the other. The search for new aesthetic, distinctive of the faculty of the right pushes the left hemisphere to find new technological solutions, and aerodynamic strrutturali that make possible the new form.
the same way the technical and technological innovation as it develops by science, encourages artists to experiment and aesthetic means of expression that changes the collective aesthetic. For example, studies on Optics, the science of perception to excellence, has produced three revolutions: the representation of perspective (the late fifteenth century), the vision to "telescope" (late seventeenth century) and the puntilismo (late nineteenth century).
Arts and Science are two of the human brain activity arising from the same process sensory, kinesthetic and cognitive. aesthetic information. For philosophers, cognitive scientists, the art of Aphrodite is an active man already at the tender age of Art is the sensible option that enables each individual to develop and expand the "sense of self in space (the 'environment) over time (life) and the change in energy biopsicosomatica soul, mind and creative consciousness (the natural metaforfosi).
The art is configured so the perception of art in its highest sense. Perception that helps us to avoid from an early age to slam my forehead against the edge of the table (the sense of physical self), to develop complex forms of instinctive reaction to environmental stimuli (psychological sense of self) and decide what words, expressions, behavior and psychological forms used to influence interpersonal communication (mental sense of self). On a more creative art helps us to store new mental models, so we can absorb them without having to experience living without having to learn a long process of induction, and also provides us with a range of experiences that otherwise would not have been able to sepruimentare person ((material and spiritual sense of self).
At this level begins the alchemical art, or the introduction to intuitive perception and then experience a "virtual" all possible options with which you can creatively express themselves in the world and bring forth their complex nature (The pleroma: instinct, drive and libido) in conscious form, original, characterized by "intrinsic value".
"While the useful inventions of the art only indirectly affect the human race, the inventions aesthetic directly extend human consciousness, expand the field of human perceptions and emotional speech, extending our participation in the feelings of others. Through the enlargement of the canal sensitivity of human knowledge of the universe will expand. The difference between technical inventions and artistic inventions is the difference between changing the environment around us and change our perceptions of the environment. " (Kubler, 1976).
Develop the sense of creative self (Bacchus) means working every day with the "matter" in order to experience the techniques and applications that make me body and talents available in order to select the most appropriate from time to time, to specific needs expressed (sense of cognitive self of King Midas.)
The sense of creative self of Bacchus, the synthesis of all the possible processing and tending to the new creations that, as far as possible are able to manifest through the body of the talents, abilities of the mind and sensory perception of the soul (Silenus, the teacher of Bacchus) really has the effect of turning every idea, invention and design in gold.
Legend that Silenus (the "Master" which obeys Bacchus), drunk with wine for the numerous invitations to dinners and parties, he was lost among the fields. King Midas, the cognitive sense of self, it is hosted in his palace, the care and catering, and then give it back to Bacchus, in order to repay his generosity, offers to grant her wish: King Midas asked of course to transform any His idea, invention and design in "gold", a metaphor for the creative power of the self to draw the shape and the technology best suited to the needs of the time.
Bacchus granted his request. Earth, stones and even ears of corn and the food turned to gold. At this point King Midas asks God to release him from the creative ruinous luck that would lead him to certain death. The wine of God shows him the path of liberation from the libido that leads to the source of the river Pactolus, a metaphor for the baptismal font where he was to wash the body to eliminate his guilt. (Libido, the sin that arises from the impure mind)
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