The male-female pair is the central pillar of the imaginary philosophical alchemy. Shiva and Shakti, Yin and Yang, Adam and Eve, they identify pairs of "energy" are not antagonistic in nature, but become so in the physical body, as well as the reality of phenomena, when the Libido, represented by the figure in Greek mythology the boar, it bursts into the clearing of the "brain", or the stage of consciousness.
Alchemy Renaissance offers a reading of "vertical" of Libido understood as 'genetic force' that drives man to seek life meaning and direction to their actions, they are designed to satisfy a hunger or quench your primary thirst for knowledge. Libido is the sulfur that the alchemist introduces nell'ambicco to provoke a reaction in the field, is the fire that heats the bulb at the base dell'Athanor inside that contains the raw Mercury (black bile) can be transformed into fluid (phlegm ), Elixir (CSF) and finally Stone of the Philosophers (cerebrospinal fluid, which is concentrated in the meninges and becomes a ferrous substance).
Adam and Eve, Venus and Mars, Apollo and Diana, The King and Queen, the Sun and the Moon Art Alchemists, unlike chemicals, describing stages of evolution of the libido and psychic drive (Adam and Eve ) in perception and action (Mars and Venus), logic and intuition (Apollo and Diana), consciousness and awareness (The King and Queen) until the final stage in which the "Philosopher's Stone", rich in iron and high-quality electromagnetic (our Magnet) will not be sensitive to the cycle of the moon relative to the sun.
It 'obvious that the implementation of the Philosopher's Stone represents the final stage won dall'appassionato of "Art and Sex", and instead identifies the first developmental stage of the neophyte who is now undergoing a daily basis to solve the problem "geometric" processing dela libido in love, creativity, consciousness and self-knowledge (squaring the circle in which there is the psychological drive)
A famous motto of the Rosarium says. "Make a circle (psyche) of a man and a woman (the sexual polarity) ricavane a square (the constants in diversity) and a square triangle (summary of three basic elements, body, soul and spirit); make a circle (summary of the conjunction of opposites is equivalent to Se) and get the philosophers' stone. "
The transformation of libido is through the containment of psychic drive array female (Eva), which is in fact the arteficie with all joy and damnation. When the psychic drive (the nymph Atalanta), for his nature to fast track any form of desire inspired by the libido (Atalanta chases and hits first wild boar) is educated, trained and channeled (the three apples of Aphrodite) towards social purposes and useful for the community (the harvest of wheat), then the individual (Eneo) reaches a stage of awareness where the emerging sense of self mental (couple's son Apollo and Diana) can direct the libido to good and righteous purposes.
Eneo The Greek legend tells that, after a year particularly fruitful for the harvest, he bestowed honors and sacrifices to all the gods but forgetting to Diana. The forgotten, the metaphor of a subconscious desire to stop the alchemical process of transformation of Sulphur, obviously triggered the ire of the Goddess who, in revenge, it sends a terrible wild-eyed fire to ravage the countryside in disntorni of Calydon, the city of Etoli .
Meleager, son of Eneo, the emblem of Mercury (Mercurius filius), which however is distilled during channeling delal libido in social activities, then decides to Afront the fierce animal by organizing an expedition with the most valiant heroes, the metaphor of a precise knowledge of the "power of the libido" to destroy the good that has been sown by the alchemists of matter (the heroes).
Meleager is not alone. At his side's Atalanta who falls for him, because he sees the possibility of an alchemical contenimrnto of the drive to act directly on the libido through a "forced" psychic inhibition dela evolutionary force. Atalanta detect for the first beast, demonstrating that the perception of women reveals the presence of "monsters", but not strong enough to kill him (as happens when women are raped in the street).
Ovid says that Meleager throws away from a first lance (intuitive perception) but that sticks in the ground, while the second (cognitive perception) reaches the animal wounded to death. In the scene painted by Brascassat (1825), we see Atalanta defending itself with a knife pierces the boar and Meleager aided by dogs, a symbol of the instinct that evolved from the instinct to expand instinctive sensory perception sensory perception in cognition.
Libido, as well as the alchemical sulfur, requires time-consuming process of purification before being removed from the field. Its main characteristic is the "imitation" and "transformed" to which is easily hidden behind smiles and good manners. The "chemical castration" is temporary of course if the individual (male or female) evolves in the alchemy of "power" women (self-love, sense of self) represented in the mythological story as "maternal uncle" of Atalanta.
After killing the boar, Meleager gives the trophy to Atalanta, but his uncles claiming he superbly held by the metaphor of the presence of subtle and often perverse libido of women in all human history in which we should share the honors and merits, real estate and securities, paternal inheritance and fortune.
Meleager then pulls out his sword and will "delete" without a moment's hesitation, even if it tries to Atalanta trattenrlo with an affectionate gesture of the hand, often as women do to justify lustful behavior of relatives.
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