Greek mythology teaches us a path of knowledge that is not an end in itself. Myths are generated by the universal mind consists of the archetypes. The archetypes structure the human psyche in its substrates subconscious, unconscious and iperconsci psyche and make the kingdom of the report, as each archetype, not unlike the writer asks the individual mind (the film's director) to identify the actors, relationships and the "location" most suitable for the development of spiritual destiny (the plot) the soul which is incarnated in the body (the alchemical work of cinematic translation of a virtual reality imagined by the writer in another virtual reality created by the director with the contribution of actors , technicians and producers).
Greek mythology, not unlike the film, teaches a path of knowledge which is not dedicated to the fun pure and simple. It 's true that the soul has when she sees herself reflected in the vices and defects of the protagonists, but it is equally true that the archetype interacts with the individual and the collective unconscious when the soul to be found in "internal memory" is a direct correspondence and pregnant with meaning to the point that he understands, in ways subconscious, to be an emanation of the universal mind, the writer divine.
The phenomenon of recognition of the archetype inspired by the events of mythology, from plots of movies and fairy tales, and re-produced in the image of Alchemical in a symbolic, has an extraordinary effect. still misunderstood by Western culture. Recognizing that the archetype is the fate of our soul means to perceive and feel what Freud (1919) has called "disturbance of the soul", or "displacement of the heart" (Unheimlich). The archetype enters the heart (the evolutionary memory) and causes a "loss of self" to which the 'spectator' no longer feel safe within the walls of the home (Heim), but experiences a profound disturbance becomes dismayed when "cyclically" (the cycle of the lunar nodes) in the involuntary repetition of equal, from what Proust, for its part, defines "involuntary memory".
Often the disturbing element is identified in a person, situation, image, dream or fantasy, and produces a painful effect and destabilizing. The "displacement of the heart causes the breakdown of linear time (Saturn / Cronos) for which bursts into fleeting consciousness of the" knowledge of the return of the repressed (Uranus was killed by his son, Saturn castrates him and throws the balls into the sea Kythera).
The rationalization process put in place by Western culture, aimed at structuring in linear time a strong social identity and collective goals consistent with the (Cronos), removes the soul's spiritual mind (Uranus) from the throne in which must reside naturally. Just as the woman's mind is removed (castrated by Saturn) by culture and society, because it is unstable (cyclic) to hear more suggestions from the Spirit of Time that the commandments of God, so the intuitive mind, linked to the cycle of archetypes, has lost contact with the historical time and still is unable to interpret the "measure of the eternal return" social phenomena, political and cultural factors that generate wars, destruction and economic crises.
The "social disorientation of the heart" is the description of the time of crisis, the precariousness of what becomes visible as soon as we are forced to leave the walls of the house of language logical and rational, but is also the prerequisite for the "birth of Alchemical" (from the Sea of \u200b\u200bKythira, the foam generated from the testicles of Uranus, it appears on a shell, a symbol of intuitive synthesis, Venus Urania), namely a renewed (resurgent) desire to understand the meaning of spiritual experiences, relationships and coincidences that punctuate the life of the soul.
must leave the safe walls of the language of logic and rational-cognitive structures cemented by unlimited faith in progress which prevents us from receiving the daily invasion of the archetypes contained in the mental body of Venus fertilized in vitro from the seed of Uranus, the mind spriituale artists. Transported from the culture of the soul passed from mythology and cinema (the Zephyr Wind) and feelings of the hearts of women (the Aura of the astral body), than men who aspire to know the spiritual destiny of his soul, the archetypes contained in the body of Venus can be accepted by the mind (the island of Kythira) dall'assillo free time (twelve hours) .
mythology teaches us a path of knowledge that leads us to discover the meaning of beauty, the seventh sense of the soul. E 'through love for the beauty of body, mind and spirit of women is pssibile come to perceive the mystic sound of the seven Muses, the seven arts, which will deliver the power of archetypes, and then the universal mind (the cycle of Uranus), in our hearts. If we become sensitive
the aesthetic beauty and spiritual transmitted by Aphrodite, we've created the sense of self and mind are willing, as shown by the myth of Narcissus, to give an abstract concept of beauty to embrace instead the power of art (Matrika shakti) to illuminate the mind through a conscious deployment of symbols, emblems, metaphors, allegories and mantra, the language of archetypes broadcast from the Universal Mind.
L 'break the archetype in the heart of the initiate Art (Narcissus) causes a temporary loss of sense of where we usually identify, namely in that part of the brain that does not want to hear the voice of the soul (the nymph Echo), which instead is sensitive to cyclical time and incessantly repeats the first words of each sentence to announce (whether subconsciously) a change of vibration in the Mystic Universal Music.
Narcissus is beautiful because it has an aesthetic sense, but does not know the effect of the transcendent beauty of purifying the self from the libido, to transmute the laziness and arrogance in the desire for knowledge and to transform the sense of self in the mental sense of spiritual self is aware of who has a destiny, an archetype to interpret (the south lunar node).
If life becomes a film of which we are spectators of life outlined by the archetypes, but the material life is perceived by the alchemist as the Kingdom of Illusion Ignorance and in which we believe to be what we think we know and what we can not decipher the rationalizing intellect.
mythology teaches us a path of knowledge in which we become what we know. And 'the secret of alchemy, the secret of those who choose to be enlightened by love, awareness and knowledge of women daughters of Aphrodite, women sensitive to cyclical time of the moon and giving up the ego of truth that still declamatre do not know, but they perceive with the heart, the subconscious mind of women.
Eco, because of his claim to love (know) who does not want to be loved (known), is bound to become a rock, a metaphor for a process of petrification of psychic intuitive, while Narciso disappears within their own reflection in a mirror (the rational on its face identification / social identity and the stereotypes of beauty) that can no longer recognize.
Dissolution of Narcissus and the birth of Bacchus
If we become sensitive to aesthetic beauty and spiritual transmitted by Aphrodite, we've created the sense of self and mind are willing, as shown by the myth of Narcissus, to give an abstract concept of beauty to embrace instead the power of art to illuminate the mind through a conscious deployment of symbols, emblems, metaphors, allegories and mantra (Matrika shakti), the language of archetypes broadcast from the Universal Mind.
The phenomenon of adherence to the canons of beauty for thousands of years that illuminate not only art, but also the moral behavior, ethical and spiritual needs of individuals who have made the history of human feelings, is that whenever we perceive a subtle vibration in the heart and appears, in more or less deep, the sign of disturbance.
Lovers, women artists and experience the phenomenon in cycles, each time the spiritual energy (Venus Urania) is placed in the "heart" (the moon is in quadrature to the sun during Moon rising and falling). The disturbance was the beginning of a phase of psychological introversion, mental and creative when it becomes possible to assimilate in ways subconscious, unconscious and iperconscie, the "Seven Habits of Aphrodite" which are propedueutiche the purification of libido (amor sui), the transmutation of bodily sensations in perceptual awareness (sense of self) and the transformation of 'identity conscious rational understanding of the transcendent power of the mind (full moon) and the powers of intuition superconscious (new moon).
The Freudian interpretation of the myth of Narcissus, attributed solely to the topic of love, is certainly limited, even if it represents the phenomenon more evident than in the individual emerges when he learns the art of communicating (intelligence report), and then to influence, persuade, influence and manipulate the psyche (the nymph Echo), simply stepping back and spurning contact. The mental sense of self, a synthesis of all possible forms of communication and receipt of information that, as far as possible are able to express in my relationships with the world, often degenerates into complacency, arrogance and conceit, the peculiar characteristics of those being now ironically labeled the women as "vain", "Know-", "unscrupulous seducer" or "more beautiful than others."
E 'at this stage that spread the force of desire and the feeling of being able to create any desire, to which corresponds, if successful, a hypertrophic development of the ego, the only one capable, through a process of reasoning, choice and decision for the aims, to give value to the object of desire. The ability to direct the desire for an object is called libido. Libido is considered the fuel of spiritual as its immediate purpose (subconsciously) is to reinstate himself in the essence of the desired object.
The libido is the primary mental strength that allows us to integrate us into the "energy" necessary to achieve balance and psychological material. When libido is directed outwards from the individual wanders in search of money, beauty and pleasure that are the necessary experience mental ego (the Prodigal Son) to dispel all the psychic and material resources and return it to the house of father (evolutionary rationality). When the libido gives strength to the desire to know oneself, or to discover spiritual truths, and turns inward, it happens that I mind the "sinks" nell'introversione psychic (adust melancholy), and creative (generous melancholy) , given the state of mind that reveal Alchemy of perception, consciousness and self-knowledge. Narcissus is also pervaded
on by love, from libido to achieve the desires of the heart, and not heed the echo of his soul that it "follows and watches him from afar hidden behind the trees," a metaphor for a condition in which the desires of the subconscious' soul (love of introversion) are neglected to give priority to the desires of the ego. Narciso not only ashamed to listen to the desires of Eco, but makes fun of female libido which, unlike the male partner in the search for a possible integration of what is actually "missing" in the female body (the act of dipping). For this reason
Love, son of Aphrodite, he decides to punish him. The punishment is simple. Love, aesthetic and sentimental symbol of the disturbance, invokes the goddess Nemesis and reverses the direction of the libido from the outside. The introversion of desire translates into a desire for knowledge and the urge to light reflection writing in female DNA. The introversion of libido forced everyone to "look in the mirror" and reflect on the symbolic meaning of relationships and the relationships we have with people and things.
Libido it looks for what is missing in the Soul to evolve self-consciousness sensory (Bacchus) and ascend "to heaven" (Arianna). Self-knowledge, as well as teach the myth of Dionysus who dies while you look in the mirror, the threshold that allows us to understand the size of the illusory reality created by the libido self-centered and connected with all the potential mystifying mental activities and relationships in which the libido to come to terms with the libido of others while pursuing their goals. The truth is beyond the mirror and self-knowledge, shattering the Dionysian dimension of material existence, leads us beyond the illusion, the deception and the search for sense pleasures ephemeral.
Greek mythology tells us that Narcissus falls apart at some point. The introversion of libido causes a gradual dissolution of the ego and love the results in a new and more sophisticated self-consciousness. Narcissus dies and remains as sleeping on the bank of the river (from the petals of drugged consciousness generated by himself in the flower of the same name), while at his side "was" the extraordinary figure of Bacchus.
Bacchus, sublime interpreter of the consciousness of the alchemist that sensory introvert libido to seek the pleasures of the soul through the distillation of the bodily senses, mental and spiritual (the Elixir), is the logical continuation of the Philosophy of Aphrodite: Narciso marks the transition from the "mental sense of self" to the "sense of self sensory / spiritual" of Bacchus. The spirituality transcends the man, but is a value field, won by developing sensory and compliance with the rules of Art
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