literature, cinema and art are taught how to achieve high levels of perception, intuition and knowledge of reality without having to study useless things or attend courses. Women writers and artists learn through the bodily senses (the second chakra) and can develop over time the meaning of mental (fourth chakra) and finally to a more advanced stage of synthesis of knowledge, to discover the truth hidden intellect through the senses (the sixth chakra).
The reference to Tantric culture is essential to understand how if the sense of mental evolving perceptual awareness (the cherub with wings) is the foundation of alchemical universal spirituality. Even in the West alchemists describe the same phenomenon experienced by evolutionary tantric drawing the three stages of development of cognitive perception (the spear in your hand by the child) that you win by following the Laws of the Great Mother.
The bodily senses investigate the mineral (the first stage of the column), a metaphor of reality dominated by basic instincts, the senses of the mind instead are able to investigate the plant world (second stage) breeding ground for feelings, emotions and feelings that inform us of the presence of love or conflict, the meaning of the intellect, Finally, unable to penetrate the world of myths and archetypes (the third stage) and to include games of consciousness simulated by male and female libido.
Beyond the third stage begins the world of initiations Art of Perception, a place of bliss in which we learn directly from the milk of knowledge that springs from the bosom of the Great Mother. It must therefore evolve in female power (second, fourth and sixth chakra) and develop what little self-consciousness that can poke through sensory perception (the spear), the fire of knowledge and the sacred smoke (adrenaline) that arises from 'psychic excitement of being loved and nurtured by the Great Mother, a metaphor for "Universal Mind" which is realized at the end of the Great Work.
The alchemy of the physical senses, mental and spiritual is described by the works of artists who write and paint what they know with their own senses and not through intellectual ruminations. These are just some examples:
1. The novel "Pride and Prejudice" by Jane Austen describes with particular acuteness the substantial difference of method that characterizes the male survey (action) than women (perception). The male pride and prejudice women can creatively resolved if the parties reversed roles and the perception of women progressing to observe, scrutinize, probe and filter out the positive elements from the past to preserve and enhance, assumes the leadership role of the action.
2. The movie "Girl with a Pearl Earring", inspired by the works of Veermer, emphasizes the role of the mother-in-law (the cognitive perception of reality based on the production of money), his wife (the emotional perception of reality based on instinct to protect the balance as well) and servant (the sensory perception of the point size interione BALANCE between reality and conflicts), in relation to the action of the creative artist. The film briefly describes the ability of the perception of women instinctively find the balance point of compromise dall'irrompere of light (the creative action) within the domestic space (Soul).
3. In the painting "Woman with a Balance (1664), Veermer metaphor in describing the talents of sensory perception of the woman (the virtue of Prudence / Scale / Justice celebrated by the Greeks) to restore order and BALANCE (or its opposite) in the consciousness Social (blue cloth). The natural chemistry of the cognitive emotions and feelings in moral sentiments (the pearl necklace) evolves in fact instinctive ability creative soul (the woman is pregnant) to judge the actions and discriminate the quality of light present in all forms of social relationship (the scale). Veermer Behind the woman places the painting of the Transfiguration, a metaphor of the stadium final process of "purification" delal libido that supports the creative action of the individual in society.
4. The intuitive perception of the soul is still relegated to the role of "servant" in the decision making process implemented by the developed societies, confined to play a weak role of social criticism when the "games are already made" and the "horse has already escaped from the barn. "
The culture of solidarity, peace, resource sharing, respect for differences, environmental protection and heritage does not have a religious foundation in ethics, compassion or charity. The civic consciousness stems from the development of perception female to capture the right balance between the parties and the whole and between the whole and its individual components.
development through its powers of perception plays a pivotal role in building the balance psychological, social and cultural individual and collective. Vermer was the artist who more than anyone else has explored and marked in all possible variations induced by the change of light within a domestic space. Art research unfolds, of course, even if the artist paints the same subject for a lifetime. Indeed. It 's easier that testing obsessive balance compromised by light, Vermeer is considered by the essence of every color, has the effect of stimulating early artistic sensibility.
The artistic sensibility is structured in four acts: balance, strength, depth and abstraction of the image. The artist who made the "four cornerstones" of the "alchemical Perception creates the" Philosopher's Stone "of the alchemists of the Renaissance, the metaphor of an enhanced ability to weave the threads of artistic composition with insight, wisdom, experience and originality. It 'obvious that the artist is not interested in these considerations "not useful" immediate. But those who learn to read the "value" of the images left by "Pride and Prejudice", may one day discover that they have the talent to perceive not both the "beauty" of art forms, but also the feelings, dreams, hopes, doubts and conflicts experienced not only by the artist, but also by people who share our daily reality.
The perception of inner beauty, aesthetic pleasure and spiritual chastity is the ideal Renaissance alchemist. Values \u200b\u200bnow lost in the limbo of forgetfulness of who we are and what we have been.
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