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King Midas: the aesthetic-cognitive

Beauty and knowledge are inseparable. The perception of beauty is done in stages and requires the gradual development of a sense of self psychological, spiritual and cognitive development. In particular, the cognitive sense of self, understood as a synthesis of all the insights that, as possible to my mind, they are able to prioiettare in the sensible world, view and contemplate the inner space in the "center of the forehead," produces a "fork" of information (the letter Ypsilon androgyne) that gave rise to the perception aesthetics and intuitive.

The information coming from the "images" and coming from the "words" is synthesized simultaneously by the two cerebral hemispheres (the archimente theorized by the sociologist E. Morin). Beauty and knowledge become one unit so indisssolubile, a factor that influences the other. The search for new aesthetic, distinctive of the faculty of the right pushes the left hemisphere to find new technological solutions, and aerodynamic strrutturali that make possible the new form.

the same way the technical and technological innovation as it develops by science, encourages artists to experiment and aesthetic means of expression that changes the collective aesthetic. For example, studies on Optics, the science of perception to excellence, has produced three revolutions: the representation of perspective (the late fifteenth century), the vision to "telescope" (late seventeenth century) and the puntilismo (late nineteenth century).

Arts and Science are two of the human brain activity arising from the same process sensory, kinesthetic and cognitive. aesthetic information. For philosophers, cognitive scientists, the art of Aphrodite is an active man already at the tender age of Art is the sensible option that enables each individual to develop and expand the "sense of self in space (the 'environment) over time (life) and the change in energy biopsicosomatica soul, mind and creative consciousness (the natural metaforfosi).

The art is configured so the perception of art in its highest sense. Perception that helps us to avoid from an early age to slam my forehead against the edge of the table (the sense of physical self), to develop complex forms of instinctive reaction to environmental stimuli (psychological sense of self) and decide what words, expressions, behavior and psychological forms used to influence interpersonal communication (mental sense of self). On a more creative art helps us to store new mental models, so we can absorb them without having to experience living without having to learn a long process of induction, and also provides us with a range of experiences that otherwise would not have been able to sepruimentare person ((material and spiritual sense of self).

At this level begins the alchemical art, or the introduction to intuitive perception and then experience a "virtual" all possible options with which you can creatively express themselves in the world and bring forth their complex nature (The pleroma: instinct, drive and libido) in conscious form, original, characterized by "intrinsic value".

"While the useful inventions of the art only indirectly affect the human race, the inventions aesthetic directly extend human consciousness, expand the field of human perceptions and emotional speech, extending our participation in the feelings of others. Through the enlargement of the canal sensitivity of human knowledge of the universe will expand. The difference between technical inventions and artistic inventions is the difference between changing the environment around us and change our perceptions of the environment. " (Kubler, 1976).

Develop the sense of creative self (Bacchus) means working every day with the "matter" in order to experience the techniques and applications that make me body and talents available in order to select the most appropriate from time to time, to specific needs expressed (sense of cognitive self of King Midas.)

The sense of creative self of Bacchus, the synthesis of all the possible processing and tending to the new creations that, as far as possible are able to manifest through the body of the talents, abilities of the mind and sensory perception of the soul (Silenus, the teacher of Bacchus) really has the effect of turning every idea, invention and design in gold.

Legend that Silenus (the "Master" which obeys Bacchus), drunk with wine for the numerous invitations to dinners and parties, he was lost among the fields. King Midas, the cognitive sense of self, it is hosted in his palace, the care and catering, and then give it back to Bacchus, in order to repay his generosity, offers to grant her wish: King Midas asked of course to transform any His idea, invention and design in "gold", a metaphor for the creative power of the self to draw the shape and the technology best suited to the needs of the time.

Bacchus granted his request. Earth, stones and even ears of corn and the food turned to gold. At this point King Midas asks God to release him from the creative ruinous luck that would lead him to certain death. The wine of God shows him the path of liberation from the libido that leads to the source of the river Pactolus, a metaphor for the baptismal font where he was to wash the body to eliminate his guilt. (Libido, the sin that arises from the impure mind)

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Female sex as a cognitive model The meaning of Bacchus


Sex and knowledge are always together. The moves of reason and rationality for the aims envisioned by the male libido, are ever, at any time, place and culture with the reasons for the female body. The women embody the demands of the body against reason: heteronomy of otherness of consciousness and feelings clash with the autonomy of male instincts (instinct of action) and will dominate the world through ideas, abstractions, concepts and theories.

body pervaded by bodily feelings, instincts (Goddess Kali), emotional (Goddess Lakshmi) and cognitive (Goddess Saraswati), it is always female, and then plural (Trinity) in its demands and its needs. When the idea brought forth by the left male (Saturn), also the highest and most pure, meets with the reason of the body represented by the woman, albeit in a claim of asceticism and purification, the idea they are infected and contaminated so unredeemable.

The tantric conception of life, unlike the Cartesian cogito ego fisolofia generated that removes in a few decades, the androgyny of thought conquered by Renaissance artists, you submit to the roots of knowledge and biopsychological epigenetic rules that shape the relationships between people and between man and nature. The body, as depositary of the instincts, the instincts and the libido (desire to integrate the missing parts of self) is the temple of sexuality that is absolutely possible to achieve emancipation from corcitivi aspects related to biological purposes (breeding / conservation) . materials (pleasure / safety) and social (family / culture) of life.

The concept "Catholic" of the female, believed to be the reason men unable to develop a free and independent will of its purpose (procreation and pleasure object), and therefore unable to sustain aim for good ethical values, identifies the woman the "devil" that makes the man fall into sin, and if he wants to rake, whether he wanted him to ascetic. The woman's body, "karma" subject to the playback features of the species is the greatest danger the unity of the ego psychology, as it is, according to the Platonic image, policefala creature, the bearer of many reasons and therefore plurarità and contradiction. It 'clear that the body made functional by the Pleroma of the instincts and place of clash of mixed feelings for the woman herself represents a constant conflict and tearing of the soul.

Penia His sign is: lack, need, misery. And for this character (psychic) \u200b\u200bthat she swallows everything, suggestions and dissolves all wealth. As the matrix of life and divinity of the time (the Goddess Kali), the female body speaks through the unconscious, a variety of dialects that never coincide with the common language, a bearer of otherness of emotions, and heterogeneity of moral sentiments Finally, nothing to do with the current values \u200b\u200bthat falls outside of any ethical and aesthetic discourse.

Unlike the man engaging in sexual bodily functions, and carry out simple machines, more often poorly coordinated, the soul of the woman (her i feel) is to establish a conscious relationship with your body. As the coupling is his "schematic" organic-transcendental, intercourse becomes aware of the instinctive feelings, emotional and cognitive structure, finally, the "conscience of the report" feature of women (and of the alchemists) pregiudizioni free, under guilt, perversions, inhibited desires, and morbid curiosity false intentions that pollute the perception of reality and social relationships.

The female, seen as an experience of kinesthetic coupling implemented by proprioception (the power of Kali), represents the cognitive model for the alchemists evolve in the moral qualities / sensory, ethical / spiritual and perceptual / aesthetic and the individual (the self investigator) must grow within him if he wants to gedere every moment of life.

The soul has the body (the state of grace) when not affect the motility of the body and what happens when the women (the natural yoni) is comprenetrata the phallus (lingam) to the point that male and female form What a unique symbol of the Shiva lingam. The worship of the lingam has a spiritual meaning that transcends the genital coupling. It 's the lingam of Shiva going on in the body (Kali), heart (Lakshmi) and mind (Saraswati) women, the desire to know the feelings of the three evolutionary Dee still representing a peerless model of awareness, understanding and knowledge of human nature (the wet of the alchemists).

When the person stops the "inner woman" to evolve through eperienze of sex, love and art embodies the form of Shiva / Rudra, the destroyer of worlds, the lord of tears. Inhibition, castration and the refusal to mate with the woman in the manner "instinctive, emotional and cognitive" as required by his sexuality in Western culture produces the phenomenon of distance by itself, does not coincide with the peculiar loneliness and self- 'alienation. The Western consciousness is understood thus as laceration response to a sense of loss and disintegration of the ego. The investigator I (Theseus) loses one of its LAN (Ariane) and is no longer able to exit the labyrinth of the psyche, falling victim to the hungry carnivore of the Minotaur, the symbol of the egocentric libido of those who seek the pleasures of life (the seven children) and the spiritual food (the seven fanciuille) other than their own.


Sex and knowledge come together in a single thread (the thread of the self) when the individual is "asleep" instinct, drive and libido (the three satyrs painted by Botticelli) and let the 'love, perception and intuition of Aphrodite (dressed) to guide them towards the achievement of perfection. Shiva (Mars) becomes a beneficent God, lord of sleep, immune from any temptation to wield power linked to the name / action, identity / will and to their ideas / knowledge, perfectly naked and intact, stable and free from disturbance , balanced and aware of being pure sexual energy (the lingam), the sulfur of the alchemists.

Combining the sexual energy of Shiva to the wire illuminated by the female (the left side of the body), I (egoless) gives rise to love (eros), consciousness (love) and intellect ( Hermes) soul. Mars lost its meaning to do, and, in its size more advanced, it becomes the "triple fire" of transcendence (the spiritual self)

"He has the body and even organs of perception. There is no one that is similar or larger. We only hear about the thousands of forms of its inherent transcendent power, knowledge, will and to act "(Shvetashvatara Upanishads)

transcendent powers of Shiva is a manifestation of Shakti as the female action leads to awareness of the report (Animus), will report in good conscience (Spiritus) and knowledge in relation to knowledge (intellect). Sex lights up the body (eros), mind (Amor) and spirit (Hermes) of Aphrodite and where are the three things together in the center of the forehead, you can create the elixir of eternal Beauty and Knowledge, the soma, the divine nectar, the food of the gods.

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A right to report any change in the external world, mediated by the kinesthetic sense, sense of self and the libido to carry out the wishes of the soul, is a chemical modification of information (bile), magnetic (phlegm ) and electrical (argentum vivum) within the sensory decoding system (the cerebellum) and interpretation of the signal in the memory of the evolutionary synthesis (spiritual The right hemisphere of the Virgin Mary)

The artist absorbed in his own work, the philosopher in the contemplation of nature and the mystic who is immersed in meditation, explore, each in its own way, the power of evolutionary memory (internal) to preserve a vivid memory of previous experience, not excluding those experienced in previous lives. The phenomenon dell'introversione libido, spontaneous in women and individuals who need to develop a father figure in lieu of the real one, emphasizes the mind's ability to "stop" the flow of thoughts, impressions and sensations that constitute the cognitive humus in which which germinates the seed of action produced by the "monkey mind.

In the condition of the "inner silence", the final stage of the experience described in the legend of Narciso at the time of the dissolution of all forms of self-reflection, the inner memory begins to "work" as the "engine", although still, all the 'universe of the soul. E 'in this engine, powered by the fuel of the introverted libido, that the spirit finds its home.

In De Trinitate Augustine writes: "If in fact we refer to the internal memory with which the mind remembers itself (kinesthetic sense), which includes interior and intelligence itself (sense of self), and the inner will to which we love (or Love on the Libido), where these three are always together (right hemisphere), have always been together since they started to exist, whether they think (know) and that it was not (subconscious) appears indeed that the image of the Trinity belongs to the memory alone. "



It is uncertain whether it was Piero della Francesca an admirer of St. Augustine. And 'certain that the philosophical culture of the time to seriously study what was the safest path to reach and quick to perceive the light of God, called by Augustine "mindset itinerarium Deum." Even then, enlighten the mind meant create a path of "Beauty and Knowledge," which evolved into "Virtue and Wisdom" as the mental factors (the three gunas of Tantric) were transmuted by the light soul (chemical energy, magnetic and electric).

ascend to heaven and touch God's light and immerse themselves in the Holy Spirit (divine inspiration) had a precise meaning biopsicosomatico. To become as God the Creator "was necessary to understand the experiences of the Son, the perfect model of transformation of individual consciousness, which is subject to perturbations of the mind, in the universal consciousness of those who come to dwell in the" internal memory ", a mystical place located in the right hemisphere" connected "to the feelings of the heart. Is why the Itinerarium Mentis Deum could only start from the conception of their child and unfold through a series of images that had a pole of attraction the figure of Baby Jesus in the arms of the Virgin Mary.

Beauty and knowledge go hand in hand, they are always together as the Virgin and Child. The beauty of the soul, fascinated by the processes of metamorphosis of intelligence in sensory awareness (the Virgin), and self-knowledge (the child) that stems from the immaculate soul down with their libido, they represent the core Philosophy of Aphrodite / Maria, celebrated in the Magnificat, hymn to the glory of the Mother of Jesus, made of the same substance as the Father.

The Child is a first part of the totality in which the alchemists recognize the power of God the Creator. Piero della Francesca is a master dell'Alchmia interior. He knows all stages of transformation of black bile (the psychic drive) in red bile (impulse like), yellow (cognitive), and white (no drive and therefore awareness). As an artist experiences the creative introversion (red bile becomes rubeum Elixir) and the transmutation of the intelligence report through the powers of perception (the angels, cherubim and seraphim).



The profound introversion of the libido becomes creative, and is therefore able to generate the Child, in the occurrence of a merger between the ability to face reality (the angel on the left) and the ability to incorporate information from outside (angel on the right). We must establish a link between the present time (the reality without illusions) and the future (the desire to carry out the wishes of the heart), so that the process of introversion of the Virgin (in the alchemy of the rational intellectual soul) reveals a clear intuitive knowledge, material and spiritual existence.

immersing themselves in the internal memory (the Virgin looks inside itself) begins to incorporate the creative individual impressions of the universal mind (symbols, metaphors, archetypes) is most useful for the development of self-knowledge, and translate, through the "sense of self " material and spiritual (the child Jesus) in shares, and creative works inspired by the mind free of thoughts and impressions (the white carnation).

Unlike the complex dynamics produced by the artists of the Renaissance spiritual alchemy to describe the complex transformation of love in the love of God, Greek mythology goes directly to represent the birth of the sense of self material (Bacchus) and spiritual (Arianna ) at the end of a journey of sensory understanding of reality (the Triumph of Bacchus).

Titian, Triumph of Bacchus. The procession of Bacchus meets Arianna return to India. Bacchus sky rocketed into the crown of Ariadne, which is transformed into a constellation (Eight stars). In the background you see the ship of Theseus has just abandoned Ariadne on the shore ..



self-love that introvert not only leads to meditation, but also looking for the sensory pleasures that gratify the earthly existence of the soul. Through the experience of carnal pleasures (sex and food), mental (the wine and games) and spiritual (the art and music), the individual frees the soul from earthly passions and the crown of Ariadne (emblem of metamorphosis of the soul) can ascend to heaven (the Regina Coeli) and become a celestial constellation, a new constellation of philosophical and spiritual meanings.



Bacchus is one of the favorite themes of Caravaggio. Inside the cup, the metaphor of a "brain place" where to collect the nectar of self-knowledge (the wine), Bacchus distills the sense of self in the material sense consciousness of reality. Life becomes a "Triumph of pleasure" if you have the right to enjoy the meaning of physical, mental and spriituali.

Sensory consciousness dall'introversione melancholy born of the sexual drive and requires a waiting period useful to "soak" the physical senses (the apples) and mental (pears). The fruit decomposition time is the time needed to evolve dell'introversione libido in the "spiritual sense of self" in Arianna,

E 'through the wire of the "spiritual awareness" of Ariadne Theseus can find the way out of the labyrinth of Minos, after killing the Minotaur.

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Dissolution of Narcissus and the birth of Bacchus



If we become sensitive to aesthetic beauty and spiritual transmitted by Aphrodite, we've created the sense of self and mind are willing, as shown by the myth of Narcissus, to give an abstract concept of beauty to embrace instead the power of art to illuminate the mind through a conscious deployment of symbols, emblems, metaphors, allegories and mantra (Matrika shakti), the language of archetypes broadcast from the Universal Mind.

The phenomenon of adherence to the canons of beauty for thousands of years that illuminate not only art, but also the moral behavior, ethical and spiritual needs of individuals who have made the history of human feelings, is that whenever we perceive a subtle vibration in the heart and appears in more or less deep, the sign of disturbance.

Lovers, women artists and experience the phenomenon in cycles, each time the spiritual energy (Venus Urania) is placed in the "heart" (the moon is in quadrature to the sun, moon phase ascending and descending). The disturbance was the beginning of a phase of psychological introversion, mental and creative when it becomes possible to assimilate in ways subconscious, unconscious and iperconscie, the "Seven Habits of Aphrodite" which are propedueutiche the purification of libido (amor sui), the transmutation of bodily sensations in perceptual awareness (sense of self) and the transformation of 'identity conscious rational understanding of the transcendent power the mind (full moon) and the powers of intuition superconscious (new moon).

The Freudian interpretation of the myth of Narcissus, attributed solely to the topic of love, is certainly limited, although the phenomenon is more evident in the individual that emerges when he learns the art of communicating (intelligence report), and then to influence, persuade, influence and manipulate the psyche (the nymph Echo), simply stepping back and spurning contact. The mental sense of self, a synthesis of all possible forms of communication and receipt of information that, as far as possible are able to express in my relationships with the world, often degenerates into complacency, arrogance and conceit, the peculiar characteristics of those being now ironically labeled the women as "vain", "Know-", "unscrupulous seducer" or "more beautiful than others."

E 'at this stage that develops the force of desire and the feeling of being able to create any desire, to which corresponds, if successful, a hypertrophic development ego, the only one capable, through a process of reasoning, choice and decision for the aims to give value to the object of desire. The ability to direct the desire for an object is called libido. Libido is considered the fuel of spiritual as its immediate purpose (subconsciously) is to reinstate himself in the essence of the desired object.

The libido is the primary mental strength that allows us to integrate us into the "energy" necessary to achieve balance and psychological material. When the libido is directed outwards from the individual wanders in search of money, beauty and pleasure of representing the experiences necessary mental ego (the Prodigal Son) to dispel all the psychic and material resources and return it to the house of his father (the evolutionary rationality). When the libido gives strength to the desire to know oneself, or to discover spiritual truths, and turns inward, it happens that I mind the "sinks" nell'introversione psychic (adust melancholy), and creative (generous melancholy) , given the state of mind that reveal Alchemy of perception, consciousness and self-knowledge.

Even Narcissus is pervaded by the, from libido to achieve the desires of the heart, and not heed the echo of his soul that the "following and watching him to be hidden away behind the trees, "a metaphor for a condition in which the subconscious desires of the soul (of loving introversion) are neglected to give priority to the desires of the ego. Narcissus not only ashamed to listen to the desires of Eco, but mocks female libido which, unlike the male partner in the search for a possible integration of what is actually "missing" in the female body (the act of dipping).

For this reason, Love, son of Aphrodite decides to punish him. The punishment is simple. Love, symbol of the aesthetic and emotional disturbance, he invokes the goddess Nemesis and reverses the direction of the libido from the outside. The introversion of desire translates into a desire light of knowledge and instinct of reflection writing in female DNA. The introversion of libido forced everyone to "look in the mirror" and reflect on the symbolic meaning of relationships and the relationships we have with people and things.

Libido it looks for what is missing in the Soul to evolve self-consciousness sensory (Bacchus) and ascend "to heaven" (Arianna). Self-knowledge, as well as teach the myth of Dionysus who dies while you look in the mirror, the threshold that allows us to understand the illusory dimension of reality created by egocentric libido and potential deceptive connected to all mental activities and relationships in which the libido to come to terms with the libido of others while pursuing their goals. The truth is beyond the mirror and self-knowledge, shattering the Dionysian dimension of material existence, leads us beyond the illusion, the deception and the search for sense pleasures ephemeral.

Greek mythology tells us that Narcissus falls apart at some point. The introversion of libido causes a gradual dissolution of the ego and love the results in a new and more sophisticated self-consciousness. Narcissus dies and remains as sleeping on the bank of the river (from the petals of drugged consciousness that he himself created in the flower of the same name), while at his side "was" the extraordinary figure of Bacchus.

Bacchus sublime interpreter of the consciousness of the alchemist that sensory introvert libido to seek the pleasures of the soul through the distillation of the bodily senses, mental and spiritual (the Elixir), is the logical continuation of the Philosophy of Aphrodite: Narciso marks the transition from the "sense mental self "to the" sense of self sensory / spiritual "of Bacchus. The spirituality transcends the man, but is a value field, won by developing sensory and compliance with the rules of Art

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Disturbance and dissolution of Narcissus

Greek mythology teaches us a path of knowledge that is not an end in itself. Myths are generated by the universal mind consists of the archetypes. The archetypes structure the human psyche in its substrates subconscious, unconscious and iperconsci psyche and make the kingdom of the report, as each archetype, not unlike the writer asks the individual mind (the film's director) to identify the actors, relationships and the "location" most suitable for the development of spiritual destiny (the plot) the soul which is incarnated in the body (the alchemical work of cinematic translation of a virtual reality imagined by the writer in another virtual reality created by the director with the contribution of actors , technicians and producers).

Greek mythology, not unlike the film, teaches a path of knowledge which is not dedicated to the fun pure and simple. It 's true that the soul has when she sees herself reflected in the vices and defects of the protagonists, but it is equally true that the archetype interacts with the individual and the collective unconscious when the soul to be found in "internal memory" is a direct correspondence and pregnant with meaning to the point that he understands, in ways subconscious, to be an emanation of the universal mind, the writer divine.

The phenomenon of recognition of the archetype inspired by the events of mythology, from plots of movies and fairy tales, and re-produced in the image of Alchemical in a symbolic, has an extraordinary effect. still misunderstood by Western culture. Recognizing that the archetype is the fate of our soul means to perceive and feel what Freud (1919) has called "disturbance of the soul", or "displacement of the heart" (Unheimlich). The archetype enters the heart (the evolutionary memory) and causes a "loss of self" to which the 'spectator' no longer feel safe within the walls of the home (Heim), but experiences a profound disturbance becomes dismayed when "cyclically" (the cycle of the lunar nodes) in the involuntary repetition of equal, from what Proust, for its part, defines "involuntary memory".

Often the disturbing element is identified in a person, situation, image, dream or fantasy, and produces a painful effect and destabilizing. The "displacement of the heart causes the breakdown of linear time (Saturn / Cronos) for which bursts into fleeting consciousness of the" knowledge of the return of the repressed (Uranus was killed by his son, Saturn castrates him and throws the balls into the sea Kythera).

The rationalization process put in place by Western culture, aimed at structuring in linear time a strong social identity and collective goals consistent with the (Cronos), removes the soul's spiritual mind (Uranus) from the throne in which must reside naturally. Just as the woman's mind is removed (castrated by Saturn) by culture and society, because it is unstable (cyclic) to hear more suggestions from the Spirit of Time that the commandments of God, so the intuitive mind, linked to the cycle of archetypes, has lost contact with the historical time and still is unable to interpret the "measure of the eternal return" social phenomena, political and cultural factors that generate wars, destruction and economic crises.

The "social disorientation of the heart" is the description of the time of crisis, the precariousness of what becomes visible as soon as we are forced to leave the walls of the house of language logical and rational, but is also the prerequisite for the "birth of Alchemical" (from the Sea of \u200b\u200bKythira, the foam generated from the testicles of Uranus, it appears on a shell, a symbol of intuitive synthesis, Venus Urania), namely a renewed (resurgent) desire to understand the meaning of spiritual experiences, relationships and coincidences that punctuate the life of the soul.

must leave the safe walls of the language of logic and rational-cognitive structures cemented by unlimited faith in progress which prevents us from receiving the daily invasion of the archetypes contained in the mental body of Venus fertilized in vitro from the seed of Uranus, the mind spriituale artists. Transported from the culture of the soul passed from mythology and cinema (the Zephyr Wind) and feelings of the hearts of women (the Aura of the astral body), than men who aspire to know the spiritual destiny of his soul, the archetypes contained in the body of Venus can be accepted by the mind (the island of Kythira) dall'assillo free time (twelve hours) .

mythology teaches us a path of knowledge that leads us to discover the meaning of beauty, the seventh sense of the soul. E 'through love for the beauty of body, mind and spirit of women is pssibile come to perceive the mystic sound of the seven Muses, the seven arts, which will deliver the power of archetypes, and then the universal mind (the cycle of Uranus), in our hearts. If we become sensitive

the aesthetic beauty and spiritual transmitted by Aphrodite, we've created the sense of self and mind are willing, as shown by the myth of Narcissus, to give an abstract concept of beauty to embrace instead the power of art (Matrika shakti) to illuminate the mind through a conscious deployment of symbols, emblems, metaphors, allegories and mantra, the language of archetypes broadcast from the Universal Mind.

L 'break the archetype in the heart of the initiate Art (Narcissus) causes a temporary loss of sense of where we usually identify, namely in that part of the brain that does not want to hear the voice of the soul (the nymph Echo), which instead is sensitive to cyclical time and incessantly repeats the first words of each sentence to announce (whether subconsciously) a change of vibration in the Mystic Universal Music.

Narcissus is beautiful because it has an aesthetic sense, but does not know the effect of the transcendent beauty of purifying the self from the libido, to transmute the laziness and arrogance in the desire for knowledge and to transform the sense of self in the mental sense of spiritual self is aware of who has a destiny, an archetype to interpret (the south lunar node).

If life becomes a film of which we are spectators of life outlined by the archetypes, but the material life is perceived by the alchemist as the Kingdom of Illusion Ignorance and in which we believe to be what we think we know and what we can not decipher the rationalizing intellect.

mythology teaches us a path of knowledge in which we become what we know. And 'the secret of alchemy, the secret of those who choose to be enlightened by love, awareness and knowledge of women daughters of Aphrodite, women sensitive to cyclical time of the moon and giving up the ego of truth that still declamatre do not know, but they perceive with the heart, the subconscious mind of women.

Eco, because of his claim to love (know) who does not want to be loved (known), is bound to become a rock, a metaphor for a process of petrification of psychic intuitive, while Narciso disappears within their own reflection in a mirror (the rational on its face identification / social identity and the stereotypes of beauty) that can no longer recognize.


Dissolution of Narcissus and the birth of Bacchus


If we become sensitive to aesthetic beauty and spiritual transmitted by Aphrodite, we've created the sense of self and mind are willing, as shown by the myth of Narcissus, to give an abstract concept of beauty to embrace instead the power of art to illuminate the mind through a conscious deployment of symbols, emblems, metaphors, allegories and mantra (Matrika shakti), the language of archetypes broadcast from the Universal Mind.

The phenomenon of adherence to the canons of beauty for thousands of years that illuminate not only art, but also the moral behavior, ethical and spiritual needs of individuals who have made the history of human feelings, is that whenever we perceive a subtle vibration in the heart and appears, in more or less deep, the sign of disturbance.

Lovers, women artists and experience the phenomenon in cycles, each time the spiritual energy (Venus Urania) is placed in the "heart" (the moon is in quadrature to the sun during Moon rising and falling). The disturbance was the beginning of a phase of psychological introversion, mental and creative when it becomes possible to assimilate in ways subconscious, unconscious and iperconscie, the "Seven Habits of Aphrodite" which are propedueutiche the purification of libido (amor sui), the transmutation of bodily sensations in perceptual awareness (sense of self) and the transformation of 'identity conscious rational understanding of the transcendent power of the mind (full moon) and the powers of intuition superconscious (new moon).

The Freudian interpretation of the myth of Narcissus, attributed solely to the topic of love, is certainly limited, even if it represents the phenomenon more evident than in the individual emerges when he learns the art of communicating (intelligence report), and then to influence, persuade, influence and manipulate the psyche (the nymph Echo), simply stepping back and spurning contact. The mental sense of self, a synthesis of all possible forms of communication and receipt of information that, as far as possible are able to express in my relationships with the world, often degenerates into complacency, arrogance and conceit, the peculiar characteristics of those being now ironically labeled the women as "vain", "Know-", "unscrupulous seducer" or "more beautiful than others."

E 'at this stage that spread the force of desire and the feeling of being able to create any desire, to which corresponds, if successful, a hypertrophic development of the ego, the only one capable, through a process of reasoning, choice and decision for the aims, to give value to the object of desire. The ability to direct the desire for an object is called libido. Libido is considered the fuel of spiritual as its immediate purpose (subconsciously) is to reinstate himself in the essence of the desired object.

The libido is the primary mental strength that allows us to integrate us into the "energy" necessary to achieve balance and psychological material. When libido is directed outwards from the individual wanders in search of money, beauty and pleasure that are the necessary experience mental ego (the Prodigal Son) to dispel all the psychic and material resources and return it to the house of father (evolutionary rationality). When the libido gives strength to the desire to know oneself, or to discover spiritual truths, and turns inward, it happens that I mind the "sinks" nell'introversione psychic (adust melancholy), and creative (generous melancholy) , given the state of mind that reveal Alchemy of perception, consciousness and self-knowledge. Narcissus is also pervaded

on by love, from libido to achieve the desires of the heart, and not heed the echo of his soul that it "follows and watches him from afar hidden behind the trees," a metaphor for a condition in which the desires of the subconscious' soul (love of introversion) are neglected to give priority to the desires of the ego. Narciso not only ashamed to listen to the desires of Eco, but makes fun of female libido which, unlike the male partner in the search for a possible integration of what is actually "missing" in the female body (the act of dipping). For this reason

Love, son of Aphrodite, he decides to punish him. The punishment is simple. Love, aesthetic and sentimental symbol of the disturbance, invokes the goddess Nemesis and reverses the direction of the libido from the outside. The introversion of desire translates into a desire for knowledge and the urge to light reflection writing in female DNA. The introversion of libido forced everyone to "look in the mirror" and reflect on the symbolic meaning of relationships and the relationships we have with people and things.

Libido it looks for what is missing in the Soul to evolve self-consciousness sensory (Bacchus) and ascend "to heaven" (Arianna). Self-knowledge, as well as teach the myth of Dionysus who dies while you look in the mirror, the threshold that allows us to understand the size of the illusory reality created by the libido self-centered and connected with all the potential mystifying mental activities and relationships in which the libido to come to terms with the libido of others while pursuing their goals. The truth is beyond the mirror and self-knowledge, shattering the Dionysian dimension of material existence, leads us beyond the illusion, the deception and the search for sense pleasures ephemeral.

Greek mythology tells us that Narcissus falls apart at some point. The introversion of libido causes a gradual dissolution of the ego and love the results in a new and more sophisticated self-consciousness. Narcissus dies and remains as sleeping on the bank of the river (from the petals of drugged consciousness generated by himself in the flower of the same name), while at his side "was" the extraordinary figure of Bacchus.

Bacchus, sublime interpreter of the consciousness of the alchemist that sensory introvert libido to seek the pleasures of the soul through the distillation of the bodily senses, mental and spiritual (the Elixir), is the logical continuation of the Philosophy of Aphrodite: Narciso marks the transition from the "mental sense of self" to the "sense of self sensory / spiritual" of Bacchus. The spirituality transcends the man, but is a value field, won by developing sensory and compliance with the rules of Art

John Deere Track Size

The liberation of Andromeda


Veronese, Perseus Andromeda free

Sleep Psyche is a crucial moment of the alchemical transformation of the "second subject" (the psyche) in the "third subject" (the mind). The four tests are outweighed by Psyche providenziale with the help of the ants, the barrel of the eagle and the tower alludes to the whole process of enlightenment of the psychic senses that characterize the experience of the psychics, mediums and clairvoyants.

Psyche at the end of the journey into the underworld steals the elixir of psychic perception of reality "invisible" distilled from Proserpine on a long "process" of exploring the subconscious mind, unconscious and iperconscia in Hades. Eager to know the fluid
Secret of Proserpine, Psyche can not resist the temptation to experiment with the "inner beauty" brought to fruition by transforming the understanding of the psychological impulses and irrational reasons that lead the soul to face, in the form subconscious, experiences, trials and conflicts inherent in the his "destiny" spiritual.

At the end of the four races, Psyche evolving sense of self psychic (character) in a mental sense of self (temperament), synthesis of all possible physical processing (ants), psychological (the barrel) intuitive (the eagle) and evolutionary (the tower), which, as far as possible are able to express, communicate and understand using mental energy my peculiar temperament of birth (the ascendant astrology). However

Psyche is not yet able to sustain the psychic metabolism made by adrenaline in the brain (Proserpine) and falls asleep, dozing in a long sleep, a metaphor of time needed to temper (Perseus) to face the monsters that dwell in the psyche, represented in mythology by the three Gorgons who have the power to 'petrified'. and thus prevent the process of transmutation of psychic energy (Psyche) in mental energy (Andromeda).

Medusa Perseus faces transformed by Minerva into a sea monster with serpent hair and the power to petrify with his eyes. Enblema ego psychic, typically female, to perceive the hidden truths attarverso the system of sensory perception, but then unable to select sources of information and preparation method and the range of rationality assumptions, Medusa is the established provisional LINKS soul psychic ( the cercvelletto activated by adrenaline) with the part of the brain (midbrain), which is a first elaborazioen the image and its contents.



Perseus must sever the connection and cut off the head of the monster, guilty of preventing the soul to evolve in psychological perception critical perception, rational and cognitive of what is received from the body. Minerva gives him a shiny shield as a symbol of a process of "movements" and what motivates the ego to act blinded by anger, jealousy and libido of ownership.

Perseus, the emblem of the temperament of those who are aware of what stirs the human heart, can run so fast on the wings of adrenaline and fight the dragon that holds captive Andromeda, the girl who embodies the mental Enego essential to evolve "mental sense of self."

Free from the irrational impulse to believe what the psychic character tells him to do, Perseus turns adrenaline in mental energy and joins the two cerebral hemispheres
Andromeda higher metaphor of a new psychic energy metabolism within the structures of cognitive and creative brain.

temperament and mental energy, they produce a defense system by the arrogance and conceit of those who claim to be right
by force of argument suggested by the psychic libido (the dragon) -

Monster Energy Backack

tests

The nymph bride Ippomene Atala and so brings about the mental metamorphosis of the nymphs of the drive in the "sense of self" of women. Aphrodite said the "rules of metamorphosis" and invites human beings (souls) to be aware of bodily sensations, not just those raised from eros and beauty aesthetics, but especially those who experience the the invisible, mysterious and often hidden, the infrared frequencies that warn of danger, trouble and possible problems inherent in any type of relationship, even love.

Greek mythology tells the complex story of Psyche, then picked up and rewritten in key fable by Apuleius in the first centuries of the Christian era, who disobeys the order not to look in the face of the beloved face. The mechanism of the story is the same as tested in Genesis in which Eve disobeyed God not to bite the apple of knowledge, knowing well that the female psyche is biologically in-sub-ordinate, that is intended to avoid any proposition and commandment from rationalization of the drives.

Psyche is not a nymph (psychic perception), but it is a woman (psychic sense of self) forced by parents to climb up a mountain (the brain) to become a bride to be horrible (the saturnine reason), just punishment for who "reads" a role (the "femme fatal" for example) and do not evolve in perceptual awareness.

Psyche has a remarkable control of his "records" emotional, and as an actress, artist's sense of himself as a psychic "means" for the express purpose of female intelligence purposes. To his way "mischievous" and to pretend crying on command, the Aphrodite punishes and forces her to face four trials.

The stakes are very high. In each test, Psyche must demonstrate that they can overcome their limitations biopsychological otherwise he must die, remaining confined forever nellzdimensione psychic existence. The symbolism of the story describes a real possibility for any individual to process sensory perception of Psyche in cognitive perception, understanding, symbolic and spiritual knowledge of its core feature of Proserpine, a symbol of the soul by marrying Pluto, descends into hell and knows the subconscious dimension (hell), unconscious (Purgatory) and iperconscia (Paradise) of the mind

The first test

The transformation of perception sensory perception requires a critical increase in mental energy, which translates into patience, perseverance and method. The beautiful Psyche is asked to separate the various types of pulses contained in a vessel and to group them by seed. Impossible task, but to his aid comes an army of ants.



"And so saying the rushed him and began tearing her dress in a thousand pieces, to tear her hair, to shake his head to strike furiously." Then he did bring the grains of wheat, d ' barley, millet, poppy seeds, chickpeas, lentils and beans, mixed them, made a great bunch and said, 'You are a slave so bad that it seems to me you you can not in any way of lovers, if not at the price of a diligent service. So I want to test your skills: divide all these seeds, choose that one by one, and make so many little heaps, in good order. Before the evening will be checking that the work has been done. ' It left her in front of that big pile of seeds went to a wedding dinner. "Psyche will not even try to put a hand in that confused, inextricable overlapping but dismayed by the enormity of that order as it stood in stunned silence. Then that tiny little animal of the field, the formicuccia, who knew how difficult it was for a job such, he felt compassion for the companion of the great Cupid and condemned the cruelty of the mother-in-law. So he began to get busy, up and down, rallying from its surroundings, all the people of the ants, 'Run, run agile daughters of fertile land and give a hand, soon, a lovely girl in peril, the wife of Love! ' And those all came running, in waves, a tiny six-foot people, and working with a zeal never seen, grain after grain, undid the whole pile, separate the seeds, set them in piles according to quality and then, in the twinkling of ' eye disappeared.


The second test

The second test requires the development of critical perception in the rational evaluation evidence of visible and invisible, obvious and hidden. Psyche comes to the aid of the "rod" that is still watching the true nature of things and "men".

"willingly walked Psyche not to execute that order, but to find a remedy to his tribbles falling from a cliff down into the river, but from the bank a green cane, the kind where you draw the melodies Possoni soft, as if inspired by a god, so he spoke in gentle murmur of the breeze: "'Oh, Psyche, plagued with so much pain, not to profane my holy waters with your miserable death and do not come near, now, the terrible and wild sheep, because the fiery blaze of the sun makes ferocious and with their sharp horns and with their faces as hard as rock, sometimes even poisonous bites, they rushed on the men to kill them. Meanwhile, till the sun of the afternoon will have softened his zeal, and the sheep will not appease the cool breeze that rises from the river, you can hide a leisurely under the great plane tree, with me drinking the same current. When the sheep will be quiet, then went to the nearby woods and shake the branches and find the gold wool remained attached here and there in the tangle of branches. '

"So humble cane immeasurable human psyche to the poor the way to salvation and that he regretted not having hearkened not hesitated to follow any instruction to the letter, so that was easy to make the theft and return from Venus even with the lap full of soft golden wool.

The third round

The transformation of rational perception in intuitive perception requires mental determination to trace the source of knowledge which is on the mountain ridge. Psyche begins to climb and an eagle came to his aid that fills the ampulla of knowledge of the sages.

"But even this second test, so risky, moreover, earned her captivity in favor of his mistress who, frowning and smiling so bitter he said, 'Do not is that I do not know who was also the author of this rascally business, but I still put to the test, just to see if you really have so much fortitude and a lot of wisdom. See there the cliff top of that highest mountain? There is a spring whose waters flowing down into the dark bottom of a valley near they end up in the swamp Stygia and feed the swirling currents of Cocytus. I want you to go up there, just where is the source, and instantly bring me in this little jar, a bit 'of that water cold' and so saying, not without threat of punishment more severe, the handed a phial of polished crystal.


The fourth round The transformation of intuitive perception, perception in cognitive, symbolic and abstract, then takes a deep dive into the ground, a metaphor for the exploration of the subconscious made his trip from Proserpine in hell. Psyche must select at Proserpine at least part of his knowledge in order to hope to overcome the fourth try and help him reach the tower.

XVII "Then Psyche realized that for her it was really over and he saw clearly that by now you wanted to send certain death. There was, in fact, be doubted since he forced himself to go with his feet Tartarus, the world of the dead? Without further ado well then went on a high tower to throw herself headlong up there thinking that this was the best way to reach and more sent to the underworld. But the tower suddenly spoke: 'Why, wretch, you want to kill you, throwing them down? Why before the latter risk, the latter want to try now to give you won? Once your spirit will be separated from the body go, yes, at the bottom of Tartarus, of course, but there's no way you can in return.

"'Listen to me: not far from here is Sparta, the famous city of Achaia, the promontory of Tenaro look that far is not even located a bit' out of reach. There is the entrance to hell through its doors wide open and you see the road inaccessible. You cross the threshold and get on the road following the dungeon and you will be entitled to the palace of Pluto. You do not need yet also in the darkness with nothing but bears two donuts of barley mixed with wine and honey, one in each hand, and two coins in his mouth. Walk a good stretch of road that leads to death and you will meet a lame ass laden with wood and a lame donkey driver he will pray you to pick up some fallen branches from his harness, but you do not listen to him, passing over in silence. "'Soon after came the river of the dead who is guarding whom to Charon patched his boat to ferry those who go to the other side you pay the toll. As you see, even among the dead there is the greed of money and even the famous Charon, or the same father, say, a god so powerful, they never do anything for free and when he died a poor man must get the price of the trip and if by chance there does not have the money ready in hand does not even give him permission to die. "'At that sordid old to give a toll of coins that you brought with you, but let him be himself, with his hands, to take it out of your mouth. Moreover, while the lazy current cross from the hair of an old dead 'at you raise the water putrid hands and beg you to welcome him into the boat, but do not let you bend a pity that you are not allowed.



"'Cross the river, a little further on, the old intent on weaving a web please give them a hand, but you do not, do not touch the canvas, because it is a snare of Venus, like all Moreover, to make you fall from the hand of a two donuts. Do not think that losing a cake thing is trivial: this would be enough, in fact, never see the light. Why is there a huge dog with three heads, Dick, terrible monster, huge, and with his mouth wide open howl against the dead but who now can not do no harm, and he tries in vain to scare them and eternally awake while outside the door to the dark caverns of Proserpine, the guardian of the empty house of Dis. "'You keep it at bay, throwing one of the donuts, so you can easily go up and come to Persephone who will welcome you with courtesy and kindness, and will invite you to sit at ease and enjoy a hearty meal."' But you will sit on the floor and ask only a loaf of bread and eat that, then tell her the reason of your coming and got what you will be given back, appease the ferocity of the other dog with bun, a coin that will give you the miser Pilot preserved and, again crossed the river, follow in the footprints to review our sky with its chorus of stars. "'But above all I recommend one thing: Do not open the box you bring with you, look inside, do not be curious, no note of that treasure of divine beauty that hides it.' "

So that tower providential acquitted his prophetic office and Psyche did not delay, reached the promontory of Tenaro and took the coins and donuts as instructed, hell descended on the road, past the donkey driver, without saying a word lame, gave the helmsman the money for the ferry, was deaf to the wishes of the dead floating, do not take any notice of menacing prayers of the weavers, subsided with the donut anger scary dog, and finally came to the house of Proserpine. "You refused to seat the soft and tasty food that the host offered her sat humbly at his feet, but contented himself with a dark bread, then told the embassy of Venus." It immediately took the box, and filled in secret sealed, he shut the mouths of the barking dog with the deception of the second ring, gave the boatman, the currency that had been hell, and came up with a much lighter step. "But after this magazine and adored white light, although he was in a hurry to make a success of his tenure, he was attacked by imprudent curiosity, 'I just a fool 'he said to himself:' I carry with me the divine beauty and will not take even a pocolino, if only to please the lover, my beautiful 'and said that he opened the box.

"But inside there was nothing, no beauty, but only sleeping, a lethargy of death came over her when she lifted the lid and which spread to all its members in a heavy fog of sleepiness making her fall asleep right where he was, there on the trail. "Psyche And he lay motionless in her sleep, as if dead."

Double Happiness Rubber Stamp Round

Psyche's curiosity Atalanta

The psychological sense of self is formed during adolescence, the period in which feelings, impulses the heart and psychological impulses induced from eros occupy an important place in life, influencing attitudes and actions.

soon exhaust the role of the mother teach the child the need to contain the psychological impulses and excesses such as anger, rage, but also the enthusiasm and excitement, is replaced by a different process of elaboration of the kinetic energy ( male) and kinesthetic (female) who works in a short time the transmutation of the "physical sense of self" in the "psychological sense of self," understood as a synthesis of all actions and physical reactions that, as far as possible to my specific nature ( character), I can express with the body, even through a strained and altered modificazioe of expressive characters (recitation).


The psychological reaction, typical of women's kinesthetic sense, is characterized by speed and unpredictability. Often just the tone of voice, or a small misunderstanding, to bring forth an immediate emotional reflex that leads to tears, or jealousy, anger and desire for confrontation.



Guido Reni Atalanta and Ippomene

The drive anyone mental challenge. Do not worry about who is facing because the reaction is so compulsive that it is impossible to contain the scent of fast words, gestures and expressions that characterize CITIC.
Mythology Greek encoded in each match between Atalanta and the nymph of her suitor Ippomene the first stage of transformation of the drive in the psychological sense of self that must be developed within delel social rules of living together.

Atalanta was a nymph who shun any connection because an oracle had predicted that once married was not the same. An accomplished hunter and fast in the race, the nymph challenged its suitors to compete with her putting her virginity up for grabs if you win, or the sacrifice of their lives in case of defeat. Atalanta remained unbeaten for a long time, until it was challenged by Ippomene.

Ippomene to win the race and win the heart the girl asked Aphrodite to help him in the company. Aphrodite, goddess of knowledge of the process of metamorphosis of the soul psychic Emotions (Talia), Creativity (Euphrosyne) and Beauty (Aglaia), the Three Graces were born from its union with Bacchus (sensory awareness), gave him three apples' gold scattered along the path in order to attract the curiosity of the nymph and slow its course.


The three golden apples from Aphrodite Ippomene scattered along the evolutionary path of the soul have a psychological effect to inspire interest, curiosity and reflection, the three stages of short "introversion" of sufficient drive to turn the "power kinesthetic "in the sense of self psychic.


The nymph, like all women, is skilled in psychological perception of the elements involved and it is curious to find out all the "news" that arouse interest in the soul. Intresse is the first to perceive the emotions of the heart. The aesthetic beauty, luxury and pleasures of life, and the richness of which are children, arouse interest in the hearts of human beings because they vibrate in the infrared frequency invisible to the kinesthetic sense associated female eros.

Atalanta is sure of victory and grants Ippomene some advantage, just to young to "place" interest and curiosity to know and reflection along the "Path of Transformation" self, allowing them to "halt" the race of the nymph and join with her. The story describes

ilprocesso metaphor of the evolution of psychic perception (the fast nymph) in interest / awareness, curiosity / knowledge and reflection / self-consciousness (the three golden apples). The psychic perception is quick in grasping the situation more favorable to the material development of the individual, but at the same time, it is superficial.

The look of "nymph" is posing on the covers of books or the glossy pages of fashion magazines. Runs with his eyes all the pages until it is attracted by the light of Ippomene, aesthetic and cultural symbol of the product can sucitare the emotion of interest (Venus in Taurus), the curiosity of the mind (Venus in Gemini) and the emotional and critical reflection (Venus in Cancer).


The "three apples" issue of Aphrodite, one after the other, the frequencies of Eros, Beauty and Truth (the alchemical gold) contained in the alchemical works of art in order to educate the soul to reflect on the principles of transformation of perception in mental awareness, understanding and knowledge of the truth, so - how-to - the presentation - first - look.

Whie Particals In Female Urine

soul as feminine cognitive model



Sosandra Venus, a statue of the first century AD

The sense of self is not a natural product of the body and even an artificial power of rationality. The sense of self is the prerogative of the right hemisphere and women can be understood as an amalgam emerging from a combination or fusion (solve and coagulate) of their intrapersonal knowledge (enterocezione) and interpersonal (esterocezione) mediated by proprioceptive awareness (Venus Taurus, considered by the alchemists the source of transcendence).

"A well-formed sense of self often appears as the best result achieved in the development of the person, a supreme capacity to supervise and preside over all forms of intelligence" (Gardner, 1986).
In fact, the ability to know ee ourselves to others is an inalienable part of human intelligence, so we know who really is the threshold for access to the Temple of initiatory knowledge.

The warning says that in Delphi, "Coscosci yourself and know God," warns us that it is not possible to experience the sacred dimension, divine and transcendent of the human body if we do not develop properly the "power" women with whom we can know the creative faculties of the body (kinesthetic sense), mind (sense of self) and spirit (the self'amor, libido soul that yearns to join God).

While the kinesthetic sense grows naturally along a particular logic progressive by the genetic code and the expansion of the capacity of the soul to manifest itself through bodily talents (Venus), mental abilities (Mercury) and insights 'spiritual' (Venus / Vulcan), the "Sense of Self" (Venus / Adonis) need to be nourished by the "Greek mythology" (the myrrh tree, symbol of body knowledge) and educated by the "rules of Aphrodite Sosandra," the savior of mankind.

The "sense of self, represented by Adonis in Greek mythology, son of the incestuous relationship of Mirra (instinct kinesthetic) with his father (the rationality of imposing the rules of each game), is developed combines information from the bodily senses (l 'esterocezione) with the sensations perceived by the senses of the soul (the glands, organs and skin) from the interior of the body (enterocezione).

mythology has it that Venus (the proprioceptive system), which was hit by mistake by Love, falling in love with Adonis, which shows preference for the early games, sports competitions, and then hunting. Son female instinct to play by the "rules", Adonis must pay with his life for his pride: the young, immature to face the trials of life, not listening to Aphrodite who warns him to renounce the pleasures of hunting, kinesthetic activities and perception that the rules can be subverted sudden emergence of the instincts of survival, "animals" (the white boar, the last of his species).



The sense of self is a work in progress "in which body, mind and spirit (the identity of the report), work tirelessly to connect the external information with internal ones, following the" mode of perception "suggested the couple Aphrodite / Zeus, rationality perceptive essays. E 'must listen to bodily sensations and obey the rules of Aphrodite to bring to maturity the sense of self, the spirit may be able to supervise all forms of intelligence.

The "rules of Aphrodite" (Mode of perception) have the function to adjust the 'action kinesthetic (physical, psychological, mental, spiritual, creative and cognitive) through autoavvertimneto psychic, proprioception, introspection, emotional projection, creative visualization and contemplation intuitive. Following the rules does not run the risk of dying prematurely, "bitten by the" White Boar "and not fall victim to the perception of" others. "

While the "physical sense of self begins to evolve from the time the child learns to walk and instinctively lowers his head to avoid injury with the edge of the table, the sense of self must be developed through the del'adolescente ' listen the recommendations of the "mother" who warns the soul to continue on the path of psychic transformation of curiosity (psychological sense of self) in perception (mental sense of self), intuition (spiritual sense of self) and knowledge of the human libido (sense of cognitive self), represented in the tale of "Little Red Riding Hood" by the hunter who kills the wolf.

The individual who completes the formation of the "sense of self following the rules of Aphrodite, and expands the powers of the right to" solve and coagulate "personal knowledge with that of others (direct or mediated by the books, art, cinema, and media and communication), it becomes capable, brave and daring as the protagonist of the film "The Hunter", able to save his life even under the most difficult and desperate due to his own blood "cooled" by the perception, intuition and knowledge of the limits of people without the gifts of Aphrodite.

union of Aphrodite with Anchises, the emblem of the warrior who evolved into the "cognitive sense of self", a synthesis of all possible insights made possible by the right hemisphere, was born Aeneas, the hero who will lead in Italy, the land of aesthetic beauty, the art of Aphrodite Sosandra to save mankind from ignorance of their own.

Grcian Formula For Women

The symbolic perception of women

The alchemical art suggests a different approach to existence. The works of art Renaissance, the mythological stories, fairy tales, novels and plots film can act on the subconscious mind and awaken the desire to learn more about the meaning of the alchemical (and life).

Every life is a work of alchemy. The experiences that occur at higher initiations are deep and complex understanding of the mind which needs to be adjusted.

If the "mind" is not in step with the "spirit", a crisis that inevitably happens is manifested in psychosomatic, or existential.
diseases, accidents, deaths, separations, loss of money, esteem, value, and conflicts are opportunities to expand the intelligence, awareness and knowledge of the report.

Instead we like to be bound by the old lifestyle patterns and our interpretation of reality, locked in our personal, unique and original point of view, even proud (foolishly) what we think and know about ourselves and life . The Art of Alchemic

instead leads gradually to become the alchemist's Witness what happens. The progressive detachment from the events of life is through the knowledge of the images.

If we learn to read the images, ie the light reflected from things we view our lives as if we were spectators of a film, of which we are actors, directors and producers. The same idea is echoed by Giorgione, which depicts himself intent to contemplate two women.

The woman in white is caught in the act of keeping your right hand (the five senses of the mind) on the heart of a woman dressed in black outline is very greek. The artist is at the center between the two, become detached observer of phenomena that can only be interpreted in the light of symbolic knowledge (the woman in white) and the spirituality of alchemy (the woman in black is the symbol of Greek tragedy).

Giorgione has the art of symbolic knowledge because it is able to connect the five senses of the mind (rational perception, intuition trans-logic decoding - Analog literal anagogical, symbolic, metaphorical and allegorical, interpretation and synthesis of memory), with the heart of Greek wisdom.

Greek culture was the first to codify the archetypes that dwell in the human psyche in poems, stories, legends and tragedies that testify to the precise knowledge of a symbolic journey made by Hermes (the Knower), the spiritual energy that can light the flame on the heads of two Dioscuri and illuminate the path of the Argonauts, the spiritual seekers.

The development of special symbolic perception of women opens the doors of knowledge of the processes of conjunction of the aesthetic sense (white) with the tragic sense of life (the black) inaugurated by the Greeks. Difficult to understand the reality if you do not recognize the patterns and archetypes with which human nature manifests itself unchanging over time, and, conversely, you can not understand the art if you do not have the key philosophical (the three portraits of the self) to separate the tragic sense (archetypes) from the aesthetic sense (the images).

Alchemical Art thus offers a tool for understanding ourselves, "reading" the images produced by others. In each image is the archetype, the symbol and the sign can make the emblem, allegory, metaphor is necessary for our minds to reconstruct the design of spirtual birth, overwhelmed by the emergence in adulthood ego material, social and intellectual.

Every artist, writer and poet composed his work to meet the need for "spiritual" to reassemble the puzzle. Using the intrinsic qualities of the cognitive self (the brain associated with the heart) attached to the two eyes (the self intuitive and the rational self) each individual can start the Little Work of the transformation of individual consciousness and transpersonal consciousness.

National Tteam Singlets

L 'intelligence reports of women

Today it is fashionable to measure the degree of mental efficiency and know the IQ of famous people. It seems that the actors have an IQ above average, especially Nicole Kidman and Bruce Willis. This hypothesis confirms the theory of alchemy evolution of intelligence (mercury) through the attitude peculiar to actors and artists, to develop qualities of perception (Venus).

Venus / Mercury joins perception / intelligence and create together with the sensitivity of the androgyne, a figure very likely to have good relations with both sexes. For the alchemists the true intelligence is not to be able to resolve problems as quickly as possible, but it is a faculty of the soul (the moon) to establish meaningful relationships with others, the environment and the entire universe.

alchemical Intelligence is the intelligence report. The men and women develop a particular ability to interact through two opposite ways, but indispensable to each other: the action and perception. The intelligence report is the thread that connects the two ends and is much more developed as this wire is reduced and allows the individual to instinctively sense the "prey" to take to bed, or the potential client to contact.

alchemist Intelligence is the intelligence of the scorpion, the seducer and the seductress, the businessman and his wife, from which nothing escapes, but also of those who create their own desires without lifting a finger guiding the 'action with the perception of others. Unfortunately

intelligence report no reference moral, ethical and spiritual ends in perception for the aims, opportunist, disregard of rules and labels, and in that "you can do so because there is no one who opposes or control" characteristic of the crafty and Camorra who profit on the collective bad conscience, the daughter of a vapid intelligence, and uncaring for its collusive nature, corruptible and unethical, not less than that of one who corrupts it.

Corruption is one of the most striking phenomena of the hypertrophic development of the intelligence report. The distance between action and perception rifuce to a minimum when the "corrupting" pulled from his pocket a wad of money, a gesture that has become a symbol of how to successfully interact with the environment through the cognitive perception of other people's libido.

Women notice when the men "drooling" for them, as well as the seducer perceives the subtle messages sent by the soul female psychic. It 's so it takes up, in very unorthodox ways, a possible trip of knowledge (the film "Australia") by the intelligence (Mercury), consciousness (Jupiter) and the knowledge of the report (Neptune). You do not need books to study to become alchemists of libido and come to perceive the absolute identity that exists between the psychic energy and the energy of sex and money.

Letters For Depressed Friends

Libido creative women

Perception sensory (the women's Venus in Libra) is joined to the intelligence body (the mercury in Aries men) to generate the sensitivity of the androgyne. The androgyne is bisexual in the mental sense, but it is not homosexual. The sensitivity of the androgyne is defined by the letter Y metaphorically alluding to the social development of the feelings of the heart (friendship, passion, love of beauty, children, art) through the cognitive and creative faculties of both cerebral hemispheres.

The initial tendency of every individual is to be "monocerebrale. The need to define the identity and to achieve material security that translates into social status and psychological balance identity forces the body (the little I) to streamline time, resources and energy towards a goal or a prospect of success, or in the case of women, to limit its role to that of wives and mothers.

Then, by chance or by necessity, the creative intelligence body (Mercury in Leo) starts to break new ground (inside and outside the body). The couple split up, seeking a women's economic independence, men cultivate the hobby of sex, working or seeking extra rewards or daring venture into business. The "I" expands the ego and experience the "social libido", understood as a desire to possess beauty, wealth, power and influential friends, which leads us to think, imagine and do anything to stand out and satisfy the creative instinct of the soul.

Alchemy is a material and social phenomenon common to all. What we are not able to achieve is the Alchemy of libido in social intelligence, consciousness and knowledge report "using the powers of the two hemispheres. For alchemists libido marks the transformation of desires into a will to possess, that will represent the true "original sin" of which we can not complain because we realize that we are still unhappy and dissatisfied with everything that we can possess and accumulate. In Genesis

alchemical libido Eva (will be) is different from that of Adam (the desire to possess). The female libido is the instinct of the soul to evolve in the material body and material world in seizing the fruit of apple, a metaphor for the creative and cognitive potential of the two hemispheres. E 'for this that Raphael saw the same woman's mind which ones of the androgyne, while Leonardo experienced within himself the faculties of the androgynous sensibility to perceive the movements of the soul.

The androgynous mind that connects the heart to Ypsilon with the two hemispheres, causing the onset of the talents, skills and creative qualities of the soul (Eve) in the body (Adam), for their nature disobedient to any rule, dogma or doctrine. The Adam of Michelangelo becomes becomes like God the Creator, and get to touch it with your fingers, through the faculties of the soul to expand perception, intuition and knowledge of Reality.

Biting the apple of alchemical knowledge, Eve (the 'female body intelligence) disobeys God and is expelled from Paradise to experience the "pain of giving birth to" an authentic self-consciousness in relation to the world, while Adam (body intelligence male) is to experience fatigue and stress it every day to support the soul in its evolutionary process.

For the alchemists to be "driven from Paradise" is the same to get out of default rules of society, by culture and religious morality of his time. Embracing the libido eva want to evolve using the creative potential (imagination and fantasy) and cognitive (insight and wisdom, sacred and secular) of both hemispheres, the alchemists experienced a renaissance starordinaria ability to represent reality in abstract forms and symbolic (the girl, a symbol of creative inspiration, rises to the sky) From the point of view

biopsicosomatico described tantric alchemy and the Rosarium Philosophorum, the expulsion from Paradise is the release of the soul dall'Axis Mundi, namely in writing from the cosmic the age-old processes Epigenetics of coevolution of brain and culture, in the DNA.

The creative spirit moves eccentrically from the vertical axis defined by the spine and the mind to rationalize and lie at the heart (the lion), he begins to "light up" both hemispheres simultaneously, while the small self (the sun's birth ) is swallowed by the new identity of the soul (The Green Lion is situated in the heart center at the present time).

E 'at this time that it really feels themselves and assume the identity of the soul, called the Self principled Vedic tradition, while the Alexandrian alchemical tradition inspired by St. Paul, the self is principled spiritual courage to strip the old man to put on the new man shaped by the image of Christ and the age of the sages.

Within the crucible of the heart imagined by the alchemists of the '600 is possible to complete the transformation of libido into a concrete social intelligence, consciousness and knowledge of the report "that will inspire, at the social level, the French Revolution and American the human rights charter, the Red Cross, the charities and philanthropic culture of peace and environmental awareness.

Suspended Wire Rabbit Cages

The intuitive perception of women


The image of the Virgin and Child represents the expression of the Renaissance artists The Virgin of the soul devotion to God describes the final transition to life conteplativa that is not what we usually imagine.

Contemplation in greek means panoramic view of life and then look that tries to embrace all that melts Chaos, Necessity, Chance and Destiny, the Four Horsemen of the Apocalypse of John the Evangelist. The contemplation of the Virgin

basically means two things: seeking the light of God, understood as the intelligible light that can illuminate the mind, and exploration of light manifested in the fact that results in analysis of the elements of perception.

The vision of the divine light is a gradual process of recognition of what is true and good and right for the soul, which requires a precise understanding of the feelings, emotions and feelings of the heart that are attached by an invisible thread through vibration perceived by the visual system connected to the system of endocrine glands head and body

How often have we recognized in the face, expression and the light reflected from the body of the beloved of our unexpected ability to perceive the truth beyond words? Likewise we can understand the emotional significance of a painting, or to excite the passions of the heart transmitted to the opera, the romantic novels and stories of cinema. The perception of

women explores with subtlety the world of feelings, the astral dimension, but is unlikely to be able to "place" above "the throne of the Virgin" painted by Duccio da Boninsegna in 1285.

The Throne in fact describes the shift of perception from the astral and mental dimension. This means that it is easier to place the analysis and perception of the "Light reflected from things," if you have some fundamentals of psychology of perception, philosophy of knowledge and the foundations of human and spiritual.

The throne is divided into three vertical sections in which you can see the openings in the Gothic style, signifying the importance of culture "humanist" in the construction of the "mental body" capable of supporting the transformation of intuition logic (the mind of the Virgin) in a well-founded knowledge of the heart (the Child Jesus). One thing is to sense the truth of feelings (astral dimension), another is to be aware of the dynamics and motivations that have inspired and influenced the actions and feelings of "actors" (mental dimension).

The "mental dimension" can not be achieved by studying books on psychology or philosophy, but through a "reading" shared reality filtered by sensitivity and culture of others and in this book of love and adventure novels, articles of newspapers, magazines, blogs and works film.

Each dialogue with the reality of the facts and experiences of others allows us to "put the six angels facing each other and weave the three main strands of the alchemy of perception. The sensory perception of women can go out like intimate diaries of the astral dimension, the gossip to fashion, cultural conforrmismo that obscures the perception, and learning to develop the mental dimension where you can develop into critical perception, intuitive and rational reality , as it appears at first glance.



The six angels painted by Duccio transmutation into three degrees of awareness of mental images Finally, cognitive and creative awareness. Sitting on the Throne of Alchemy Universal, the Virgin raises in her womb the Son, the symbol of the soul's ability to express their views and emotions and cognitive thinking, without fear of being accused (by the intellect male) naivete, of arrogance or lack of culture and erudition.

artists of the Renaissance alchemist who understood that the secular cult of the Virgin was the only hope of saving the world from the arrogance of the most smart, educated and informed. Christ also said to be wary of publicans (intellectual), scribes (servants of power) and Pharisees (journalists, politicians, opinion leaders are) and distrusted anyone to hurl "Stones" against the soul evolving through the experiences of the perception of male libido.

Cinema teaches didactic forms such as weaving the three strands of perception and alchemy to discover the secret of happiness

Women who seek happiness by listening to the feelings of the heart in the astral dimension permengono delel illusions and deceptions, often make the mistake "published" by Tamaro: "All of which brings the heart." If the heart is not connected to the system of perception, you run the risk of loving the wrong person to walk or dead ends.

In the film "Poor but beautiful", the protagonist kisses all the boys to woo the "feel" the responses of the heart, but ultimately the evidence will be induced by the perception (the former refers to the words spoken by the petty boyfriend) to "announce" the certainty of choosing the right person.

The young woman loves two men at once, at first, developing the critical and doing just the opinion of his father (left hemisphere), choose one of the two, and then repent and embrace his first love, aware of ' importance of honesty, the dialogue (even abusive) and of moral rectitude, values \u200b\u200b"mind" essential in every couple's relationship (rational perception related to the feelings of the heart).

"Building the Throne and its timing of the soul" is a favorite metaphor of alchemical mysticism. Who will "imitate" the Virgin and Child, do not ever regret for their actions and decisions throughout their lives.

Women Wrestling Singlet Thong

The psychic powers of The kinesthetic sense

Women sometimes confuse the ability to read instructions or techniques to solve practical problems, with the rationality of the left hemisphere. In reality, the rationality that is expressed in body dexterity, logical and methodical, is controlled by the right hemisphere, especially for men. The artisans, for example, a category that learns the trade through bodily experience, direct, unmediated by rational calculation or application of abstract concepts.

The faculties of the left hemisphere are different. In fact we always use less logic, rationality, constructive thinking, experimental, and hypothetical as we rely more and more specialized experts and consultants to do for us. Of course we can not expect to become experts in the tax or legal or even replace the engineers, but we should not always delegate to others the hassle of having to do complex things.

The basic problem of women (and creative people in general) is not to be skilled enough to use the left hemisphere in order to understand the logic of things, but do not have enough mental energy to support the effort. When we are in a state of mental calm "there is hard to concentrate and focus, and it should turn a bit 'of adrenaline, the fuel of the brain, called by the alchemists' Spiritus Mercurius, the understanding of things.

adrenaline and mercury women highly volatile and ethereal that disperses easily in excess mental and nervous and therefore must be contained in the Vas Hermeticum "skull" well taking care not to remove the "cover". The natural

Mercury (Mercurius vulgaris) is the intelligence to establish constructive relations with the environment. If we are closed in ourselves and we do not communicate with the outside world, it becomes unlikely establish meaningful relationships with others and "harvesting" of emotional experiences for the development of moral conscience, ethical and spiritual (the alchemist drawn inside of the right eye collects water with a vase, symbol of the knowledge of bodily feelings) . However, the Mercury

vulgaris must undergo a process of distillation, purification and transmutation, so that the wealth of knowledge kept in his emotional memory is not lost, forgotten and negated by the "libido" to realize themselves in the material dimension (the alchemist work with the vessels in the left eye). The distillation of mercury

women (the metabolism of adrenaline) distillation of mercury is different from men (the metabolism of blood). While men must first cleanse the adrenaline rush of bile in the blood and hormones, women must learn to contain the adrenaline in the body, so that the psychic energy reaches two hemispheres above and do not disperse through the skin.

The metabolism of adrenaline is made naturally by breastfeeding women and children by alchemists that evolve into "self-awareness" (the inner child), focusing (adrenaline) in the middle of the forehead (the bindu of Tantric). The biological necessity of producing the maternal serum adrenaline forces to enter in nerve tissue that spread to the skin surface.

I describe tantric 72,000 types of nerve channels (nadis) within which is contained adrenaline, distilled, purified, and finally conveyed necessary to stimulate the lymph glands, especially the pancreas. The pancreas produces iron (Salt of the alchemists), without which it would not be possible to transform psychic energy (red bile) into mental energy (yellow bile), and then develop attention, concentration and focus needed to expand a real self-awareness in present time.

Women are natural alchemists. The loss of blood (and iron) during the menstrual cycle reduces the flow of vital energy in the sap, but the transmutation of adrenaline in the blood carries the iron up and over time the "sale" is displaced first in the neck (the cerebellum) and then in the middle between the two eyebrows, a create a magnetic center on which stands the angel of wisdom (the salt of the philosophers).

The Alchemy of transformation becomes practical and feasible when the mental energy, drawn from the iron deposits in the neck, enters the neck triggering impulses that often remain hidden in the subconscious, repressed or inhibited. To avoid irrational action, nature has provided for pregnant women an outlet, so the adrenaline comes from the neck, forming a halo light, typical of the Virgin Mary and the saints.

But these are empirical theories, lacking any scientific validity. The alchemists, especially the East, did not need ultrasound or telescopes to understand the phenomena of the body or the universe. How to teach through the Greek myth of Prometheus, the fire that "warms" the right hemisphere gives the intuitive knowledge, the fire that warms the left hemisphere gives the science, technology, technological progress and the rational exploitation of resources.

Prometheus stealing fire from the gods of rational knowledge and Zeus condemned him to remain forever chained to the rock (left) and fret the guts to have won the well-being, but not happiness.




The Alchemist pictured, aware of the risk of sacrificing the happiness in the name of knowledge, preferring to remain in the middle, between the two hemispheres, and evolve into rational and intuitive wisdom of the wise.

From the glass on the top of the head, hit the "holy smoke", the symbol of the future the transmutation of mercury in women's cognitive perception, intuition and wisdom symbolic body. The shamans, mostly women, produce the evaporation of adrenaline on the top of the head and test the powers of clairvoyance and telepathy.