[ For any sort of clarification on the draft general reference to the primitive outline of the scheme as well as the Jacob wrote more than three months ago and its complete and most recent presentation.
As repeated, are about to read a trace theory, no claim to completeness. If you find it too complex, skip. ]
As repeated, are about to read a trace theory, no claim to completeness. If you find it too complex, skip. ]
Along with striving for a mythical form that knows how to bring aspects of reality to a sphere genuinely symbolic acts on the causation of 'artistic work of the strong desire of faithful memory, which is a real biological need artistic ego.
essentially linked to the instinct of survival and the consequent perpetuation of the species, the desire of memory (here at the moment "dropped" from the adjective true that, as we shall see, is a specific characteristic of making art) is therefore look more closely biological agent finality ongoing artistic on causation.
Unlike the voltage to the myth, which is reflected in the progressive thrust homogeneous bending of the artistic line to the closing of the circle * utopia, the desire of memory initially assumed faithful to the outlines of a typical deep material need to rise Then, with the drive towards "loyalty" in this regard, in the direction of a need and then more markedly artistic spirit.
[* For the geometric representation of artistic intervention, see the previous legendary ego.]
Fidelity is the awareness of the artistic subject on the true nature of his work, from this awareness comes the desire to be remembered through a production that reflects the most truthful way possible, the intentions of the artist *.
[* Referring to the definition of art I like the "demiurge" of his work explained in the previous intervention, one could describe the voltage to the fidelity of memory as the wish to maintain strict orthodoxy through the rejection of all artistic heresy heterodox or practice which may distort the essence of the subject authoring diverting it to areas that reflects, on the contrary, only those aspects or rejected, depending on the case, denied.]
The awareness of the real value of his work, and then intimate intention related to it, is, as the 'curving action of the mythical teleology, an aspect of the utopian character, as can be achieved only partially or virtual. This awareness is carried out continuously along the path of artistic subject that can, in turn, re - discover something hitherto have remained in the shadows, and therefore change his mind about the art project in the making.
Certainly, general idea about the meaning of his work may lead to an exclusion of the most grossly unorthodox, but in any case, this selection and evaluation on its path can never be said completely closed *.
[* The construction of the legendary club and the desire to contribute to building a true memory center that reflects simultaneously all aspects of reality missing, treated as a unit from the uniquely spiritual and this simultaneous action to the statement of the unit may be represented by the symbol of the square inscribed in the circle, similar, according to As reported by Rene Guenon **, the traditional depiction of the final balance. Without getting too specific, but only to provide further food for thought, suffice it to say that, according to the esoteric interpretation of the French, the circle represents the beginning of a cycle, development opportunities (in our case, ' expanding from the center, or the artistic ego, moves the will demiurgic out then determined in the form of a work of art), while it is enclosed in square symbolizes the completion of this development, which leads to crystallization ' final balance for the cycle in question. Is a "cycle" refers to the artistic life of the author, then the circle will stand to indicate the unfolding of His will in different directions and then in many works of art (all characterized, remember, a constant voltage to the myth) and the square, which is equivalent to the element mineral, solid par excellence, will be the realization on its work and its subsequent closure in a form that is perfectly coherent in all its parts, and finally crystallized immune to any change by action outside.]
[** See in this regard " Esotericism of Dante" and " Symbols of Sacred Science , "both published in Italy by Adelphi.]
summarize: the purposive aspect of artistic creation tends, in his legendary double-action and memory, the building and consolidation of a center who can ensure unity of the parties, and which is both a faithful image symbolic able to hand down to posterity the real intentions of the artist in dialogue and make this heritage as "immortal".
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